Originally published as DA FICÇÃO in Jornal O Diário de Ribeirão Preto, São Paulo, on 26 August 1966. Consider Newton’s famous sentence: “hypothese non fingo” (my hypotheses are not feigned). On the other hand consider Wittgenstein’s sentence: The sciences discover nothing: [they] invent. The contradiction between the two sentences unveils a profound change of our concept of reality and […]
May 12, 2016
January 27, 2016
Jerry Saltz, You have just publicly endorsed Hillary Clinton on Facebook with a two-thousand word text that you title “Why I Am Voting for Hillary Clinton; The Smell of Napalm the Morning of November 9, 2016.” I feel it necessary to respond to you publicly, because your text is totally reprehensible. Napalm. Are you crazy? […]
January 13, 2016
“Anytime we’re talking about cultural objects like Avatar, in a corporate dominant culture, we are playing with fire, clearly. When the so-called indigenous is so-called natural, the extraordinary naturalization of the indigenous, no matter how talented, no matter how really, really, really, really great, no matter how many inventions they may have invented. But it requires the other half of the equation, which is a particular production of whiteness. Even though there were plenty of people of color occupying the category of whiteness in that film. Whiteness is a space to occupy for those who are associated with the technologies of conquest, extraction, commerce, etc. and that strikes me. Both of those two require each other. And actual, living people believe these things of each other, to damaging degrees. Such that I know no small number of white people, some of whom I’ve found in my own skin, at various moments, you know, who somehow feel less able to speak up, in a critical way, in a conversation with someone who is produced as more natural. Whether it’s in an indigenous rights discussion, a discussion about who owns race, class, and gender properties, and so on, and so on. The very much in-play ways that these story-fragments continue to set people out around these nature/technology contrasts, to perpetuate the trouble – people actually inhabit these imagined positions and do it to one another, including doing it to oneself.”
December 29, 2015
Originally published in English by Jason Adams as “Occupy Time”, in Critical Inquiry: In The Moment This is the second of many Spanish language translations that we will be releasing on &&& open-access. Giancarlo Sandoval will be translating current Philosophy and Theory over the next few months in order to make important recent texts available to the Spanish-speaking world.
December 17, 2015
. . . art tries to represent nature. Not necessarily in a direct sense, like you paint a nice field and in that painting, you’ve represented it one to one; embracing that you’re capturing something very fundamental there.. But even in abstract painting and various forms of sculpture or digital art; that what you’re really trying to capture is a representation of the process of representation itself. That’s basically how Schelling discusses art. To say that art represents nature, you’re not saying that art represents a representation of nature in an image, but that an image is actually pointing to the processes within nature that creates not only what we would call natural objects – plants or animals – but also thought. So art in a sense, is thought’s attempt to capture itself as a creation of nature, as creation.
May 30, 2016
The Seven Propositions About The Global were written after the completion of Produktionsmittel III and were used as program notes for its first public interpretation, which took place at the Ryan Opera Theater in Evanston, Illinois on May 17, 2016. The propositions are incomplete conclusions. These are thoughts that surfaced after having finished Produktionsmittel III, but they require further examination and growth. They represent both the final and the first—in that order—stages of a holistic thought process that permeates a variety of fields of knowledge. One hopes that, while the propositions emerged from an artistically creative activity, they may be repurposed into other contexts, perhaps far from their ontological origin.
December 5, 2015
Siegfried Zielinski – Against psychopathia medialis — For normal schizophrenia (Spanish Translation)
Originally published in English by Siegfried Zielinski as “Against psychopathia medialis — For normal schizophrenia”, in the APRJA Journal, issue1.2(2012): “In/Compatible Research.” This is the first of many Spanish language translations that we will be releasing on &&& open-access. Giancarlo Sandoval will be translating current Philosophy and Theory over the next few months in order to make important recent texts available to the Spanish-speaking world.
(Esta es una de las muchas traducciones al español que estaremos publicando en &&& y distribuyendo en open access. Giancarlo Sandoval estará traduciendo Filosofía y Teoría actual en los siguientes meses para que textos actuales importantes estén disponibles en el mundo hispano. Manténganse al tanto…)
August 29, 2015
The straight line, and everything it enables, such as right angles and regular geometric figures, is an astonishing invention. The straight edges of crystals might have been noticed by our stone tool making ancestors, and some grasses have straight stalks, but otherwise straight lines in nature are very rare. As I sit and look out at a human environment entirely built on straight lines and regular curves I can’t help but admire the imagination and will that has cut through the irregularities and digressions of nature to impose something new and unprecedented on the world… it is the very image of how human society has distinguished itself from everything else, to make a safe space for the body and a formative, limiting space for the mind… the speed of our labours is nothing compared to the rapidity of our thought. The speed of thought must have evolved to exceed the reaction time of animals—we could draw conclusions from observation, make plans and act before lunch got away— but the movement of our minds is on a completely other scale than any aspect of nature. The physical motion of living things is slower, the growth and development of any organism slower still, the capacity of the environment to neutralize all the toxins we’ve dumped into it yet slower, evolution still slower, and geological time massively slow, in proportion as its productions are also massive. Meanwhile the human mind can range from the Big Bang to the end of time in an instant.
July 24, 2015
. . . possibilities already rest . . . in the undead Marx. The challenge is to nurture them, develop them, and make them flourish. Our wager is that the undead can lead us toward a better life and that a post-capitalist future is not only desirable but necessary.
July 2, 2015
A portion of these notes were delivered as a guest lecturer for Diann Bauer and Patricia Reed’s “Art and its Reason(s)” class at the New Centre for Research and Practice on June 8th, 2015. I have since added to them and cleaned up the presentation. The intent of this material was to present a broad outline of Wilfrid Sellars philosophy and make suggestions as to how we might think of some of his positions in relation to problems with recent art practice, and in what ways it may help us reconsider certain positions on art. For the most part it remains focused on Sellars’s philosophy with a few suggestive remarks on how it may be applied to art which could surely be expanded. In composing these notes I relied not only upon Sellars’s own texts, but the indispensable commentary of the late Jay Rosenberg, Willem deVries and Tom Triplett’s reading of Sellars’s “Empiricism and the Philosophy of Mind”, Steven Levine’s insightful criticism of Sellars’s positions, and Johanna Seibt’s process ontology reading of Sellars.
Written in 2013 for the blog Communists In Situ, “Moscow January 1st, 2019” charts the dystopian future of global capitalism, unwittingly painting an accurate picture of the crumbling US empire in the post-Trump era while pointing to the radical dangers embedded in the neoreactionary nightmare of state secession and techno cosmopolitanism. KADASHEVSKAYA HOTEL 26 Kadashevskaya […]
NOTE: Against Curating was first published by the German Daily Zeit in German language. The English version on &&& Platform matches the original in all but the title, which the Zeit editors had decided to change to “Get Rid of Curators.” Curating is undemocratic, authoritarian, opaque and corruptible. Without giving reasons, without discussion, curators choose […]
What Is #AltWoke? #AltWoke is: The Catalytic Left. Post-Landian Left-Accelerationism. Team Reza Negarestani. ‘The Dark Insurrection.’ Direct action hacktivism. Free market socialism. Apocalyptic communism. Intersectional xenofeminism. Environmentally conscientious nihilism. Libidinal Marxism. Platform stacktivism. IoT urban policy. High post-post-structuralism. The Corporate Undercommons. Gratuitous neologism and nomenclature trolling. Lifestyle branding as political ideology & vice versa. AltWoke™: […]
Political debates surrounding the question of democracy versus elite despotism has an interesting history. As a Persian, I find the passages 80-87 from Herodotus’ Histories demonstrating how these debates predate modern Europe and are rooted, at least in written text, in the struggle between Persia and Greece for civilizational hegemony: 80. And now when five […]
This is Nick Land, one of the most important philosophers of the last 20 years, and one the most innovative thinkers on the subjects of cybernetics and late capitalism. He is also one of the theorists of NRx, and is one of accelerationism’s primary figureheads. Nick Land didn’t always belong to the Right. Initially, he […]