Nine Eglantine Yamamoto-Masson is a French-Japanese artist, curator, PhD candidate at the Amsterdam School for Cultural Analysis (University of Amsterdam). In academic research and artistic practice, her work examines historical memory, ideology, counter-narratives and resistance at the site of their encounter with socially engaged art as a critical forum.
The drone appears as the weapon of choice of the coward, he who refuses to show himself. It requires no courage; it deactivates combat. This provokes deep crises in terms of military values. But the military needs justifications.
Were the Charlie Hebdo cartoonists reckless? Yes, but this word has two meanings, that are more or less easy to disentangle (and, of course, some subjectivity on my part enters the picture here). Contempt for danger, hunger for risk, some would say heroism. But also indifferent to the potentially disastrous consequences of a healthy provocation – in this case the humiliation of millions of people who are already stigmatized, making them vulnerable to the manipulation of organized fanatics.