If the XXI century has shown us anything, it is that it has been a very fractured one. The same can be also said about the Islamic State, which is composed by independent hubs, each one an ensemble manifested through a virtual platform and without any objective but the spread of acts of extreme violence, and a message of hate at its most elementary level . . . having wanted to destroy any resemblance of what they are against, they show themselves as the ultimate example of the object in their destructive hands. The only point they might be proving therefore is that subjectivity has ceased to exist so that, basically, we can easily conclude that they are condemning themselves.
July 9, 2015
Superconversation 47: Manuel Vargas responds to Jonas Staal, “Empire and its Double: The Many Pavilions of the Islamic State”
July 11, 2015
Superconversation 49: Katherine Grube responds to Liu Ding & Carol Yinghua Lu, “Crimes Without a Scene: Qian Weikang and The New Measurement Group”
What does it mean to leave an art world? . . . It speaks to a specific relationship to history and historicization, but also to a self-conscious positioning within an avant-garde that reveals the horizons of its possibilities, the limits of transgression and the boundaries of a community’s expectations. The myriad departures and renunciations that mark Qian Weikang and the New Measurement Group’s careers as individuals and as a group sketch not only the bounds of China’s mainstream art world but also the parameters of its avant-garde . . . their refusal of the self-conscious forms of being a contemporary artist within a domestic avant-garde, an increasingly marketized cultural sphere and, finally, within a global transnational environment demonstrates a persistent resistance to instrumentality and the collective and social life it sustains.
Written in 2013 for the blog Communists In Situ, “Moscow January 1st, 2019” charts the dystopian future of global capitalism, unwittingly painting an accurate picture of the crumbling US empire in the post-Trump era while pointing to the radical dangers embedded in the neoreactionary nightmare of state secession and techno cosmopolitanism. KADASHEVSKAYA HOTEL 26 Kadashevskaya […]
NOTE: Against Curating was first published by the German Daily Zeit in German language. The English version on &&& Platform matches the original in all but the title, which the Zeit editors had decided to change to “Get Rid of Curators.” Curating is undemocratic, authoritarian, opaque and corruptible. Without giving reasons, without discussion, curators choose […]
What Is #AltWoke? #AltWoke is: The Catalytic Left. Post-Landian Left-Accelerationism. Team Reza Negarestani. ‘The Dark Insurrection.’ Direct action hacktivism. Free market socialism. Apocalyptic communism. Intersectional xenofeminism. Environmentally conscientious nihilism. Libidinal Marxism. Platform stacktivism. IoT urban policy. High post-post-structuralism. The Corporate Undercommons. Gratuitous neologism and nomenclature trolling. Lifestyle branding as political ideology & vice versa. AltWoke™: […]
Political debates surrounding the question of democracy versus elite despotism has an interesting history. As a Persian, I find the passages 80-87 from Herodotus’ Histories demonstrating how these debates predate modern Europe and are rooted, at least in written text, in the struggle between Persia and Greece for civilizational hegemony: 80. And now when five […]
This is Nick Land, one of the most important philosophers of the last 20 years, and one the most innovative thinkers on the subjects of cybernetics and late capitalism. He is also one of the theorists of NRx, and is one of accelerationism’s primary figureheads. Nick Land didn’t always belong to the Right. Initially, he […]