Trained as a filmmaker at Concordia University Montreal, Baruch Gottlieb has a doctorate in digital aesthetics from the University of Arts Berlin. From 2005-2008 he was a professor of Media Art at Yonsei University Graduate School for Communication and Arts in Seoul, Korea. Gottlieb is an active member of the Telekommunisten, Arts & Economic Group and laboratoire de déberlinisation artist collectives. Author of “Gratitude for Technology” (ATROPOS 2009), “A Political Economy of the Smallest Things” (ATROPOS 2016), and Digital Materialism (Emerald 2018) he currently lectures in philosophy of digital art at the University of Arts Berlin,
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Documenta 15: Captured & Content
Documenta 15, heterogeneous, accessible, resplendent in-process and incomplete, present-here-and-now, and affirmative, is soft-imperialist, globalist art at its apex. New Edge — it’s gentle, loving, soothing, and light, art for the righteous decline of the Western enlightenment project and paean for the rise of the Global South, salvaging what it finds useful from Western ruins, vainglory,… Read More »