A portion of these notes were delivered as a guest lecturer for Diann Bauer and Patricia Reed’s “Art and its Reason(s)” class at the New Centre for Research and Practice on June 8th, 2015. I have since added to them and cleaned up the presentation. The intent of this material was to present a broad outline of Wilfrid Sellars philosophy and make suggestions as to how we might think of some of his positions in relation to problems with recent art practice, and in what ways it may help us reconsider certain positions on art. For the most part it remains focused on Sellars’s philosophy with a few suggestive remarks on how it may be applied to art which could surely be expanded. In composing these notes I relied not only upon Sellars’s own texts, but the indispensable commentary of the late Jay Rosenberg, Willem deVries and Tom Triplett’s reading of Sellars’s “Empiricism and the Philosophy of Mind”, Steven Levine’s insightful criticism of Sellars’s positions, and Johanna Seibt’s process ontology reading of Sellars.