Ana Marinković is a transdisciplinary artist, researcher and writer based in Barcelona, Spain. She holds a BFA and MA in Sculpture from the University of Arts Belgrade and is a PhD candidate in Transdisciplinary Studies of Art & Media Theory at the Faculty of Media and Communications. Marinković also works as a journalist and cultural critic, writing on international art and focusing on art, media, and society. Working across video, sound, spatial installation, and critical theory, her practice operates at the intersections of contemporary art, science, technology, and feminist theory. Her research examines transitional states and liminality, non-linear cartographies, knowledge production via mapping, synthetic cognition, algorithmic structures, and biological sensing. Collaborating with scientists, she translates experimental research into art form, while her doctoral dissertation is developing a critical cartography of contemporary art grounded in rhizomatics and situated knowledge.
Articles
The Fold, the Grid & the Void
Since the release of the A24 film The Backrooms, directed by Kane Parsons, earlier this year, the obsession with liminality has moved from semi-underground web lore into the mainstream. The lore began in May 2019 with a single image posted to 4chan’s /x/ board, in a thread asking for “disquieting images” that felt “off”: a… Read More »