February 1, 2026
Iranian Royal Family, 1977

Why Monarchism is Filling Iran’s Political Void?

Recent discussions explain the visibility of pro-monarchy slogans through external forces such as Israel’s misinformation campaignssatellite television, and foreign-funded media. By locating the explanation largely outside Iran, these accounts avoid asking how and why such symbols have become visible within Iranian society itself. This habit has a longer history in writing about Iranian political thought: intellectual currents critical of the Pahlavi state in the 1960s and 1970s have often been described as imports from Germany, while today some critics claim that monarchist opposition to the Islamic Republic has been manufactured by Israel. In both cases, foreign origin substitutes for historical explanation. Others dismiss monarchism as a marginal reaction born of despair rather than political substance. But treating monarchism either as an artificial imposition or as a political mistake keeps harder questions off the table: if this support is merely a foreign mirage or a fringe cry of despair, why has it persisted and grown for nearly a decade—becoming a visible language of rejection in some streets—while other political traditions have failed to offer a convincing alternative? I argue that to grasp this moment, we need to read it historically and attend to the emotional responses shaped by lived experience, rather than attributing it to external manipulation alone. I begin by treating collective emotions not merely as immediate reactions, but as clues to how people make sense of political history. I then trace a brief history of recent dissent and conclude by asking how these movements might be better coordinated and more clearly expressed.

Several accounts from Iran in recent days describe public anger as the immediate force driving people into the streets, despite the fatal risks involved. Over the past decades, each wave of protest and its demands has been met with state violence intended to produce fear and silence, even as the underlying reasons for protest have worsened. As a result, anger has accumulated over time and hardened into a durable sense of repulsion directed at the political and social world the state has created. A well-known example helps clarify how these collective emotions take shape. The killing of Jina Amini provoked immediate anger, fueling mass protests that demanded accountability, named a wrong, and showed how harm ran through the state’s entire structure—from street-level repression to violence inflicted in detention. What many came to reject was no longer a single policy or institution, but the entire world that made such brutality possible. In this shift, anger at specific injuries hardened into repulsion toward a political order experienced as uninhabitable. This repulsion reaches beyond the Islamic Republic’s leaders and policies. It extends to its language, imagery, and rituals, and to the world it has built over decades. While anger has driven political action and public articulation against the establishment, repulsion has produced something else: a refusal to inhabit the state’s universe or imagine a future under its rule.

Beyond the imposition of death through killing and ongoing executions, state policies such as crisis-driven foreign policy and the resulting economic hardship are widely experienced as assaults on livelihood, joy, and national welfare. Over time, society’s responses to these practices have contributed to the formation of social norms centered on reclaiming Iran as a nation committed to the well-being of its people, with a right to life and joy. These norms are visible in everyday acts and symbols, from the prominence of “Iran” in protest slogans to public affirmations of joy and life, including families dancing at the funerals of those killed. In some of these funerals, this turn toward dance also marks a refusal of official religious language, which the Islamic Republic has claimed as its own and imposed on society, so people reach instead for dance as a gesture the state has long tried to police. These commitments are also visible in organized campaigns against execution, such as Karzar-e Seshanbeh-ha-ye Na-be-Edam (the No to Execution Tuesdays Campaign), and in demands for accountability led by families of victims, including Madaran-e Dadkhah (the Justice-Seeking Mothers). Yet the same anger and repulsion that generate these norms also impose limits. Under these conditions, political resources are often discarded simply because they resemble the language, symbols, or historical lineage of the Islamic Republic. As a result, strands of Iran’s own revolutionary and oppositional thought have become difficult to inhabit because they echo a political vocabulary now experienced as intolerable. In this landscape, the post-1979 political order is rejected wholesale, while the pre-1979 period is selectively idealized, setting the conditions under which monarchist symbols begin to circulate not because of their political substance, but because they appear unburdened by the language, history, and collective emotional weight produced by the Islamic Republic.

After the 2009 Green Movement, as demands for reform were met with intensified repression and key reformist figures were placed under house arrest or imprisoned, anger and repulsion toward the state deepened. The Pahlavi period also remained a point of comparison in popular imagination, well before the rise of diaspora satellite channels. As an older activist who lived through the 1980s told me, jokes circulating as early as the late 1980s captured this comparison. In one such joke, the late Shah Mohammad Reza Pahlavi appears in Iranians’ dreams and asks for Ray-Ban sunglasses in his grave. When asked why, he explains: “Because you all keep wishing light on my grave, after seeing how dark life has become for all of you.” Many people contrasted their present conditions with the pre-revolutionary era in everyday terms—currency value, social freedoms, mobility, and a sense of national standing and future possibility. These comparisons were not simply abstract nostalgia; they were grounded in daily assessments of life chances and state performance. As reform lost credibility as a viable path forward and public violence intensified, the Pahlavi past increasingly came to function not only as a memory of “before,” but as an imagined alternative beyond reform. In this sense, the growing presence of monarchist slogans is less a return to monarchy than a search for an exit from a political order experienced as irredeemable.

If reform has lost credibility, why has this language of rejection attached itself to the Pahlavi rather than to other political alternatives? The answer lies in the systematic narrowing of the political field over the past four decades. After the 1979 Revolution, melli (nationalist) currents—most visibly associated with the National Front—were swiftly criminalized, while the melli–mazhabi current was gradually suppressed, effectively removing liberal-democratic visions of social justice from the political field. The faction of the Islamic Republic that had suppressed these currents later reemerged in the 1990s as reformists and attempted to revive—or partially recycle—elements of the very traditions it had previously banned. These efforts, however, were repeatedly constrained and ultimately dismantled. Following the violent suppression of the 2009 protests, the reform project was rendered politically inert and further hollowed out during the presidency of Hassan Rouhani (2013–2021). At the same time, reformist political thought itself contributed to the narrowing of Iran’s political field. In the late 1990s, reformist journalists and thinkers retrospectively pathologized the 1979 Revolution, portraying it as inherently violent and reinforcing a broader trend that recast much of 1970s political thought as nativist or anti-modern. In particular, they blamed the revolutionary fusion of Shiʿism and Marxism in the 1970s for the emergence of religious despotism after 1979. This mode of critique contributed to a flattened political landscape in which alternatives were discredited in advance, leaving society increasingly dispossessed of its political inheritance.

The Left entered this narrowed terrain already shaped by decades of constraint. Following the severe criminalization of the post-1979 period and the mass executions of the 1980s, what remained of leftist politics was structurally weakened. Those executions disproportionately targeted multiple factions of the Left, severing organizational continuity and wiping out much of its leadership. In the reform era, a second blow followed at the level of narrative: as the 1979 Revolution was retrospectively framed as inherently violent, reformist commentators often treated the Left, especially its most radical strands, as the engine of that violence. This did more than criticize past strategy. It helped turn “the Left” into a moralized shorthand for extremism, emptying its ideals of social justice and reducing a complex political tradition to a caricature. In doing so, reformist commentators not only reduced the Left to a caricature of violence; they also helped make the Pahlavi era appear, by contrast, as a more “normal” alternative, thereby easing the later return of monarchist symbolism. In subsequent years, the Left’s limited appeal was not only due to repression and erasure, but also to the weight of unresolved historical legacies. For many, the anti-imperialist rhetoric of some factions of the Left came to resemble the Islamic Republic’s own language. Other strands remained burdened, in hindsight, by a pre-1979 culture of revolutionary austerity and by the Left’s accommodation of Ayatollah Khomeini’s leadership during the 1979 Revolution. At times, factions of the Left dismissed popular political expressions as false consciousness, while other currents retreated into detached intellectualism, addressing Iran’s crises by translating Western theory rather than sustained engagement with lived experience. Taken together, these historically layered constraints limited the Left’s ability to reconstitute itself as a widely trusted political language.

This political vacuum—understood not as an absence of resistance, but as the erosion of shared political languages and future-oriented horizons—was produced through more than repression alone. Over four decades, the Islamic Republic dismantled oppositional traditions through multiple, overlapping processes. Some lineages were eliminated materially through criminalization, imprisonment, and execution, severing organizational continuity. Others were eroded more subtly through the production of a political common sense that defined reformism, gradualism, and electoral participation as the only legitimate horizons of political action. When hardliners later closed the door on reform, the narrowing that reformist discourse had already helped produce meant that few other alternatives were available as a shared public language. At the same time, the saturation of public life with violence and coercion produced a further form of dispossession: surviving political languages became difficult to inhabit because they came to resemble the state itself—an object of deep repulsion. In this climate, resemblance functions as a liability. Traditions that share a historical genealogy, vocabulary, or symbolic register with the existing order—even when oppositional—are rejected as intolerable reminders of a system experienced as incompatible with life.

This helps explain why the political vacuum persists even where resistance is visible. Inside Iran, a wide range of political movements and organizations exists—women’s rights groups, student organizations and networks, labor organizations, Kurdish and Baluchi grassroots movements and networks, and environmental justice initiatives—but the conditions of repression make sustained coordination across sectors dangerous, limiting the articulation of a shared political horizon. Outside Iran, many former reformists—now working as journalists and human rights advocates—share broad commitments to a democratic and secular republic grounded in political pluralism, even as they differ over economic and social models, from socialist to more liberal visions. Yet, lacking a mandate for collective coordination and planning, they have not coalesced around durable channels of connection with organized groups inside the country. If this vacuum of articulation is to be disrupted, opposition politics must move beyond defining itself primarily through rejection—of the Islamic Republic, of reform, or of monarchy—and toward articulating the political order it seeks to build. That requires sustained conversation across fragmented sites of struggle around questions that have largely remained suspended: constitutional design; economic and infrastructural development; gender and ethnic justice; and environmental survival. Only through the labor of building such an alternative—plural, internally contested, and grounded in lived concerns—can meaningful dialogue emerge across different oppositional currents, including those drawn to monarchist symbols.

The front for a democratic republic must be more than a political coalition; it must serve as a shelter for language and collective emotions. Because, in society’s view, the dominant language of politics has been contaminated by the Islamic Republic, such a front cannot simply recycle inherited vocabularies and ideas—whether the caution of reformists or the state’s own jargon of “anti-imperialism” and “resistance.” Instead, it must listen to society to forge a new language, or reclaim existing concepts by stripping them of state narratives, while validating widely shared demands for happiness and normalcy—meaning a life not lived under constant, state-produced crisis—alongside individual liberties and social justice. This approach respects the hard-won wisdom of a nation that, having lived through the 1979 Revolution or grown up in its long shadow, has grown skeptical of grand narratives. Society no longer accepts abstract ideologies of utopia; instead, it demands to know—in simple language free of jargon—exactly how day-to-day life will be reorganized to establish justice and dignity. This project requires fully incorporating the claims of political actors inside Iran—including women’s movements, labor organizations, environmental activists, and ethnic networks and organizations—and establishing a fundamentally different relationship to society. A democratic front cannot be built through dismissal, superiority, or mockery, even when popular responses appear politically imperfect. The exhaustion visible across Iranian society is itself a form of knowledge: it reveals the limits of recycled ideas and voices that speak over people rather than with them. As long as political vocabularies remain inattentive to lived experience, their repetition functions less as critique than as another form of repression. Monarchist symbolism has gained traction precisely because it acknowledges demands for normalcy—from everyday happiness to an end to crisis-driven foreign policy—rather than minimizing them. A republican alternative will not succeed by rejecting these desires, but by taking them seriously and rearticulating them—not as a return to the past, but as a future-oriented project grounded in the insistence that life itself must be livable. It is time to stop explaining society’s shifts through mass manipulation. We need to read these shifts historically, take collective emotions seriously as a record of lived history, and ask what kinds of renewal—of language, politics, and everyday life—Iranians are already trying to build. The task now is to listen carefully and think with the people of Iran, not over them.

More Articles from &&&

Socialism after Socialism, A Response to Conrad Hamilton

In the spirit of dialogue, I am responding to the observations in Conrad Hamilton’s recent expansive review of my book The Political Theory of Liberal Socialism. I will be concentrating on Hamilton’s three main claims, that there is a gap between the form and content of socvialism, invoking Marxist theories of struggle before coming down… Read More »

Biennialese Blues: Review of Whitney Biennial 2026

ARTISTS: Basel Abbas & Ruanne Abou-Rahme, Kelly Akashi, Kamrooz Aram, Ash Arder, Teresa Baker, Sula Bermudez-Silverman, Zach Blas, Enzo Camacho & Ami Lien, Leo Castañeda, CFGNY, Nanibah Chacon, Maia Chao, Joshua Citarella, Mo Costello, Taína H. Cruz, Carmen de Monteflores, Ali Eyal, Andrea Fraser, Mariah Garnett, Ignacio Gatica, Jonathan González, Emilie Louise Gossiaux, Kainoa Gruspe,… Read More »

No View from Nowhere: On Discourse, Différance & Functorial Semantics of Micro-Communities

This essay argues that natural language semantics admits no global orientation—no ‘view from nowhere’—but only local positions within psychoanalytically and sociologically embedded discourse communities. Drawing on Derrida’s concept of différance, I demonstrate that meaning is constitutively deferred across the differential play of signs, precluding any meta-linguistic standpoint from which all local meanings could be adjudicated.… Read More »

Liberalism Is Dead, Long Live Liberalism!

Matthew McManus’ The Political Theory of Liberal Socialism is a powerful attempt to merge two disparate traditions, parlaying reformist compromise into a coherent political program. It also rests on the assumption that socialism is inherently illiberal, an assumption that deserves to be questioned. While often hailed as the single-minded son of America, perhaps the best… Read More »

Luxury Activism: Art, Fashion & Capital

[This text was previously published by the author in Portuguese on Contemporânea Magazine — Ed.] I don’t want to work with fashion. Beauty must be preserved from capitalism. Fashion favours the escape into personal, private, selected, chosen space, as a form of false self-determination. Fashion reflects the fear of losing’ identity. — Thomas Hirschhorn The purposelessness… Read More »

The Questions Concerning the Ethics of AI

With recent articles in &&& concerning the status of what is or is not Marxism, I took it upon myself to write a piece that I consider firmly placed in that tradition. I am not being paid by the CIA, I promise. Furthermore, despite appearances, my article is not an article in the “ethics of… Read More »

The Best Ever Art Basel Review that Qatar Money Can Buy

During the Art Basel Qatar’s VIP preview of Sweat Variant’s durational performance My Tongue is a Blade on February 4, two special seats up in front of the stage stayed empty for a while.  Empty with intent.  People hovered, looked, and reconsidered occupying them in their head at the last minute like they were about… Read More »

SUPPORT THE IRANIAN REVOLUTION 2026!

SIGN THE STATEMENT HERE The past several weeks have borne witness to a bloodbath in Iran amidst images of systematic massacre and horrific abuses of power by the Iranian government against its own people. As a united front, we stand together to uphold the following convictions: 1- That the Islamic Republic of Iran must come… Read More »

Rhetoric vs Reality: Iranian Regime Is an Imperialist Project Preventing a Free Palestine!

Since its founding, the Islamic Republic of Iran has cultivated legitimacy by embedding itself within global progressive movements—particularly those oriented around anti-imperialism and racial justice. Rhetoric, repeated, obscures reality: the Islamic Republic of Iran (IRI) is an imperialist project that will not enable a free Palestine. The IRI is built on an expansionist doctrine resembling… Read More »

On State Collapse & Democide in Iran

1. Middle Eastern Islamisms and Islamists are reorganizing in a post-jihadi/takfiri Muslim/Arab world within their national boundaries. First of all, the Taliban’s path back to Afghanistan was facilitated by the USA. Afghan Islamists were swift in adopting a more Afghanistan-focused vision and dismantling any public state capacity, especially in social and women’s affairs, built under… Read More »

How Was This Monster Born? Contemplations on the Ontology of the Iranian Islamic Republic

By Asal Mansouri and Borna Dehghani, writing from Tehran How can survival turn into something shameful? How does breathing itself become a burden – one that a person no longer dares to carry, a weight that grows heavier by the moment, with no path of escape left open? What took place across Iran in January… Read More »

The Human Centipede II: Qatar & the Broker’s Cut

If my first The Human Centipede: A View From the Art World (2013) traced the art world as a closed alimentary circuit, this sequel begins where that circuit was sublimated into brokerage as a state-form with unmistakable political aspirations.[1] The same logic is now in the open for everyone to witness, wearing the grimace of… Read More »

الغای زیر ساخت‌های شیعه اسلام در ایران 

ENGLISH VERSION در لحظه‌ای که این سطور نوشته می‌شود، ایران با زخمی باز زنده است. جامعهٔ ایران یکی از تاریک‌ترین مقاطع تاریخ معاصر خود را از سر می‌گذراند. ده‌ها هزار نفر در خیابان‌ها کشتار شده‌اند؛ معترضانِ زخمی توسط نیروهای امنیتی از بیمارستان‌ها ربوده می‌شوند؛ و اعدام‌ها در زندان‌ها به شکلی صنعتی ادامه دارد. خانواده‌ها آیین‌های… Read More »

Abolition of Infrastructural Shia Islam in Iran

FARSI VERSION As I write this, Iran is an open wound. Iranians are living through one of the darkest moments of their country’s contemporary history. Thousands upon thousands upon thousands have been massacred in the streets; wounded protesters are being removed from hospitals by security forces, and executions are taking place on an industrial scale… Read More »

ایران، بزرگترین دردسر: دربارهٔ سکوتِ مزمنِ بخشی از چپِ معاصر

با چیزی آغاز می‌کنم که در نگاه اول شبیه یک حاشیه‌روی است، یک خاطرهٔ قدیمیِ تلویزیونی که زمانی لبخند روی صورتِ ما می‌آورد. اما همین خاطره، مدلِ فشرده‌ای از یک واکنشِ سیاسی است که مدام در ایران تکرار می‌شود. وقتی جوان‌تر بودم، سریالی بود به نام «روزی روزگاری». یک پدیده شد و واقعاً هم عالی… Read More »

Regarding the Erasure of Iranian Uprising

The most recent state crackdown on Iranian protesters stands among the most violent suppressions of public dissent in Iran’s modern history. Protesters have been killed, blinded, and mass-arrested. As the state imposed a sweeping information blackout and advanced claims blaming foreign agents for the violence, this brutality has nonetheless been met with a striking absence… Read More »

Why Critical Theory Isn’t Marxism & Why Western Vs. Eastern Marxism is an Illusory Dichotomy?

I have almost finished Gabriel Rockhill’s “Who Paid the Pipers of Western Marxism?” (Monthly Review Press, 2025) amidst the uproar among the so-called progressive left academia and publishing. Rockhill has said the quiet truth out loud: the so-called critical theory has in fact nothing to do with Marxism. Its path has been paved by former… Read More »

Applied Collapse in Venezuela

The recent decapitation of the Venezuelan regime by the US military is part of a longer history of induced collapse: from Iraq to Afghanistan to Palestine, the techniques of empire have been wielded to destroy societies. But behind the Maduro extradition may be a kind of new American weakness.As you know, Nicolás Maduro and his… Read More »

Hard Habit to Break: On Political Readings of Art & Marxist Citationalism

I want to talk about a habit in contemporary art writing that I keep running into, especially in Marxist-inflected theory, where interpretation is substituted with citation and judgment is treated as an embarrassment. The pattern is familiar: the artwork becomes an occasion to rehearse a framework, the framework becomes a moral sorting machine, and the… Read More »

Computational Contemplation of
Burg of Babel

To watch a one-minute version of the film, please click here. Burg of Babel (2017-2024) is built on a very simple but unusual structure. On the screen, instead of one large moving image, the viewers see a grid made up of twenty-five rectangles, five across and five down, each playing the same 25-minute film, with… Read More »

Organized Callousness: Gaza & the Sociology of War*

Introduction The ongoing war in Gaza has generated extensive polemic among scholars and the general public.1 Some have described this conflict as a novel form of warfare. The deeply asymmetric character of this war and the vast number of Palestinian civilian casualties have prompted some analysts to described Gaza as a “new urban warfare.”2 Others… Read More »

Postcards from Mitteleuropa: Reviews from Sean Tatol’s European Tour*

Chris Sharp, Los Angeles slop-gallerist extraordinare, once scolded me on Instagram for comparing Raoul de Keyser to Peter Shear, evidently because he thinks it’s wrong to see connections between artists if they’re not from the same generation, which is a novel opinion if I’ve ever heard one. When I asked why that would be a… Read More »

Two Futures

In the brief essay that follows, I consider art as an event that de-privatizes the subject by exposing us to the hyperobjects constituted by the circulation of transgenerational trauma, power, and subjective identities. I also examine the role of contingency in this process and argue for art as a tool of indifferent future production. What… Read More »

9/11 & Televisual Intersubjectivity

The six-channel work I presented at Art In The Age Of…Asymmetrical Warfare exhibition reconstructs from video archives of the September 11th attacks the televisual unfolding of the event on CNN, Fox, NBC, CBS, ABC and BBC news networks. The synchronic and uninterrupted footage which is playing on a continuous loop starts with the networks’ mundane… Read More »

Exotopy, Neo-Orientalism and Postcolonial Curation

After visiting the Ordinary Moments exhibition, curated by Mansour Forouzesh and featuring a collective of Iranian independent photographers at the FUGA Gallery in Budapest, I was once again convinced that the consumption of modern Iranian visual culture in the West is essentially orientalistic. Precisely through the contrast this exhibition provides, one can see more clearly… Read More »