TripleAmpersand Journal (&&&)

1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »

The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »

Before the establishment of the American Museum of Natural History (AMNH), displays at museums of nature, science and culture involved their preparation and arrangement in glass boxes by those who had never seen the subjects in their actual habitat and who had little interest in acquiring related ecological or cultural information. From its beginning, however,… Read More »

*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »

The worst thing about the two dominant and intellectually popular conceptions of the future – either as pure capitalist utopia where private property and technology deliver us from politics or pure communist utopia in which the fall of capitalism and the emergence of communism is inevitable – is that they have engendered lethargy in regards… Read More »

“Oil is the undercurrent of all narrations, not only the political but also that of the ethics of life on earth. This undercurrent material, petroleum narrates the dynamics of planetary events from macroscopic scales such as hot and cold wars, migrations, religious and political uprisings, to micro or even nanoscopic scales such as the chemical… Read More »

The global political crises of the last decade have renewed a call for the consideration of decolonial strategies as an effective response. As peripheral the place and voice of art in these debates might seem, from the time of the Paris Communes to the present, art has been corresponding to revolutionary and transformational developments around… Read More »

The members of the Indonesian artist collective Ruangrupa presented the concept for the Documenta 15 (official spelling: Documenta fifteen) that they curated. The world’s largest exhibition of contemporary art, at least in terms of visitor numbers, which is scheduled to open in Kassel in summer 2022, will be titled lumbung. What is “lumbung”? A traditional… Read More »

Published today in the news service Iran Wire, Kambiz Ghafoori’s investigative report is translated and presented here for the first time to shed light on the illegal and murderous activities of the Islamic Republic of Iran in Europe. — In the hot July of 2018, in a Peugeot 308 car with license plate number VJU061,… Read More »

THE HOUSE IS BLACK ON YOUTUBE Forough Farrokhzad’s The House Is Black stands tall, somewhere between moving images and words, sound and music, cinema and poetry, documentary and experimental film; between Realism, Surrealism and Magical Realism, while being none in particular. The work is a mere twenty-minute strip of film, fragments of a special type of precarious… Read More »

This text was published for the first time in the catalog for INFOSEQUE, a 2017 solo exhibition by Navine G, Khan-Dossos at Fridman Gallery in New York.

A large body of classical Persian visual art of the last millennium consists of illuminated manuscripts. These paintings on paper have often been compared to the similar tradition of Byzantine miniatures and therefore referred to as “Persian miniatures.” André Godard and Basil Gray, two prominent scholars who studied Persian art in the early 20th century,… Read More »

The Revolution was Islamic, even though at the moment of its victory in 1979, the majority of the groups and political formations which made up its body politics were secular and non-Islamic. The Islamic essence of the revolution had to do with how Iranian seculars A) accepted Khomeini’s leadership B) agreed and promoted the revolution’s Islamic slogans and virtues C) agreed to vote yes for an unknown entity called the Islamic Republic in the 1979 referendum to replace the Monarchy. Any other narrative told about the nature and essence of the revolution which rejects or denies this obvious fact is a complete falsification. While Iranians have overwhelmingly understood the revolution retrospectively as a disaster, most opposition groups except the Monarchists still hold on to the event as an inevitable and positive development, two false notions whose rejection is the first step towards the development of a sound alternative and secure methods for replacing the current system with a secular and democratic state.

A spider creates its home by attaching its building material to foreign structures, then uses it as a trap to catch insects, small birds, reptiles and mammals. In a number of tribal societies scattered across Central Asia, the Middle East and Eastern Europe, there exists a myth about the origins of spiders. For these tribes, there used to exist two species of spiders, but we only know one of them since the other went extinct. The one that remains today searches for spots where other animals could be found. The cleverest of these spiders analyzes the changing flight patterns of its preys and constantly moves from one location to another in their search. The extinct species of spider did something else. Once they found a large carcass of a dead or dying animal it would build its cobweb around it. These spiders would stay around their net even long after the carcass would turn to dust and most of these spiders would then start to starve. All the while the net would expand in the hope that some small insects could be found along the way. In the end, most of the spiders either left to become solitary hunters, forming other species of spiders or fought for the few scraps of insects still coming to their bloated net.

Throughout its brief existence within the long trajectory of natural history, the human species has evolved alongside communication technologies which, according to the anthropologist Andrè Leroi-Gourhan, were developed only after we were able to free our hands and began standing and moving solely on our feet. Consequently, communicative signs were the offsprings of our liberated… Read More »

Political debates surrounding the question of democracy versus elite despotism has an interesting history. As a Persian, I find the passages 80-87 from Herodotus’ Histories demonstrating how these debates predate modern Europe and are rooted, at least in written text, in the struggle between Persia and Greece for civilizational hegemony: 80. And now when five… Read More »

The six-channel work I presented at Art In The Age Of…Asymmetrical Warfare exhibition reconstructs from video archives of the September 11th attacks the televisual unfolding of the event on CNN, Fox, NBC, CBS, ABC and BBC news networks. The synchronic and uninterrupted footage which is playing on a continuous loop starts with the networks’ mundane… Read More »

The New Centre for Research & Practice is very pleased to announce the the first book release by &&& Publishing. What is Grounding? is Gilles Deleuze’s first seminar, and is distinguished in that, rather than “taking an author from behind and giving him a child that would be his offspring, yet monstrous”, the work focuses… Read More »

. . . the #Accelerate Manifesto, both in form and content, is also indicative of the limited utility philosophy might have in a crisis situation like that of 2008 and on, hence, the need for a full-fledged turn away from speculative philosophy towards proper political economy. However, it is important to note that this political turn was filtered mostly through speculative realism, on the positive side, because of their shared emphasis on materiality & the place of technology, and on the negative, through SR’s spectacular failure in offering a new epistemology and the accelerationist demand for one. And yet, SR did offer a way out of Continental theory loops, via the works of Ray Brassier and Reza Negarestani, mostly through their defense of the idea of Enlightenment and reason or what later was called neorationalism . . . their brand of realism offers a new way of thinking about the political that is not overdetermined and therefore limited by Western anarcho-Marxist cynicism towards government institutions and social planning, or the dominant discursive politics of poststructuralism or the Latourian hegemonic hyper-relativism that insists everything is a network.

The New Centre for Research & Practice look forward to the unfolding of such a Supercommunity over the course of the next 100 days. What united us in purpose with e-flux is that we both have taken advantage of precarious media to build impactful institutions in the realm of culture at the threshold of the 21st century. e-flux’s model serves as an inspiration for our own projects arriving more recently, both with respect to the seriousness with which we engage the qualities of our medium – the Internet and its associated platforms – and with respect to our commitment to inventing a future.