TripleAmpersand Journal (&&&)

In the spirit of dialogue, I am responding to the observations in Conrad Hamilton’s recent expansive review of my book The Political Theory of Liberal Socialism. I will be concentrating on Hamilton’s three main claims, that there is a gap between the form and content of socvialism, invoking Marxist theories of struggle before coming down… Read More »

ARTISTS: Basel Abbas & Ruanne Abou-Rahme, Kelly Akashi, Kamrooz Aram, Ash Arder, Teresa Baker, Sula Bermudez-Silverman, Zach Blas, Enzo Camacho & Ami Lien, Leo Castañeda, CFGNY, Nanibah Chacon, Maia Chao, Joshua Citarella, Mo Costello, Taína H. Cruz, Carmen de Monteflores, Ali Eyal, Andrea Fraser, Mariah Garnett, Ignacio Gatica, Jonathan González, Emilie Louise Gossiaux, Kainoa Gruspe,… Read More »

This essay argues that natural language semantics admits no global orientation—no ‘view from nowhere’—but only local positions within psychoanalytically and sociologically embedded discourse communities. Drawing on Derrida’s concept of différance, I demonstrate that meaning is constitutively deferred across the differential play of signs, precluding any meta-linguistic standpoint from which all local meanings could be adjudicated.… Read More »

Matthew McManus’ The Political Theory of Liberal Socialism is a powerful attempt to merge two disparate traditions, parlaying reformist compromise into a coherent political program. It also rests on the assumption that socialism is inherently illiberal, an assumption that deserves to be questioned. While often hailed as the single-minded son of America, perhaps the best… Read More »

[This text was previously published by the author in Portuguese on Contemporânea Magazine — Ed.] I don’t want to work with fashion. Beauty must be preserved from capitalism. Fashion favours the escape into personal, private, selected, chosen space, as a form of false self-determination. Fashion reflects the fear of losing’ identity. — Thomas Hirschhorn The purposelessness… Read More »

With recent articles in &&& concerning the status of what is or is not Marxism, I took it upon myself to write a piece that I consider firmly placed in that tradition. I am not being paid by the CIA, I promise. Furthermore, despite appearances, my article is not an article in the “ethics of… Read More »

During the Art Basel Qatar’s VIP preview of Sweat Variant’s durational performance My Tongue is a Blade on February 4, two special seats up in front of the stage stayed empty for a while.  Empty with intent.  People hovered, looked, and reconsidered occupying them in their head at the last minute like they were about… Read More »

SIGN THE STATEMENT HERE The past several weeks have borne witness to a bloodbath in Iran amidst images of systematic massacre and horrific abuses of power by the Iranian government against its own people. As a united front, we stand together to uphold the following convictions: 1- That the Islamic Republic of Iran must come… Read More »

Since its founding, the Islamic Republic of Iran has cultivated legitimacy by embedding itself within global progressive movements—particularly those oriented around anti-imperialism and racial justice. Rhetoric, repeated, obscures reality: the Islamic Republic of Iran (IRI) is an imperialist project that will not enable a free Palestine. The IRI is built on an expansionist doctrine resembling… Read More »

1. Middle Eastern Islamisms and Islamists are reorganizing in a post-jihadi/takfiri Muslim/Arab world within their national boundaries. First of all, the Taliban’s path back to Afghanistan was facilitated by the USA. Afghan Islamists were swift in adopting a more Afghanistan-focused vision and dismantling any public state capacity, especially in social and women’s affairs, built under… Read More »

By Asal Mansouri and Borna Dehghani, writing from Tehran How can survival turn into something shameful? How does breathing itself become a burden – one that a person no longer dares to carry, a weight that grows heavier by the moment, with no path of escape left open? What took place across Iran in January… Read More »

If my first The Human Centipede: A View From the Art World (2013) traced the art world as a closed alimentary circuit, this sequel begins where that circuit was sublimated into brokerage as a state-form with unmistakable political aspirations.[1] The same logic is now in the open for everyone to witness, wearing the grimace of… Read More »

ENGLISH VERSION در لحظه‌ای که این سطور نوشته می‌شود، ایران با زخمی باز زنده است. جامعهٔ ایران یکی از تاریک‌ترین مقاطع تاریخ معاصر خود را از سر می‌گذراند. ده‌ها هزار نفر در خیابان‌ها کشتار شده‌اند؛ معترضانِ زخمی توسط نیروهای امنیتی از بیمارستان‌ها ربوده می‌شوند؛ و اعدام‌ها در زندان‌ها به شکلی صنعتی ادامه دارد. خانواده‌ها آیین‌های… Read More »

FARSI VERSION As I write this, Iran is an open wound. Iranians are living through one of the darkest moments of their country’s contemporary history. Thousands upon thousands upon thousands have been massacred in the streets; wounded protesters are being removed from hospitals by security forces, and executions are taking place on an industrial scale… Read More »

با چیزی آغاز می‌کنم که در نگاه اول شبیه یک حاشیه‌روی است، یک خاطرهٔ قدیمیِ تلویزیونی که زمانی لبخند روی صورتِ ما می‌آورد. اما همین خاطره، مدلِ فشرده‌ای از یک واکنشِ سیاسی است که مدام در ایران تکرار می‌شود. وقتی جوان‌تر بودم، سریالی بود به نام «روزی روزگاری». یک پدیده شد و واقعاً هم عالی… Read More »

The most recent state crackdown on Iranian protesters stands among the most violent suppressions of public dissent in Iran’s modern history. Protesters have been killed, blinded, and mass-arrested. As the state imposed a sweeping information blackout and advanced claims blaming foreign agents for the violence, this brutality has nonetheless been met with a striking absence… Read More »

I have almost finished Gabriel Rockhill’s “Who Paid the Pipers of Western Marxism?” (Monthly Review Press, 2025) amidst the uproar among the so-called progressive left academia and publishing. Rockhill has said the quiet truth out loud: the so-called critical theory has in fact nothing to do with Marxism. Its path has been paved by former… Read More »

The recent decapitation of the Venezuelan regime by the US military is part of a longer history of induced collapse: from Iraq to Afghanistan to Palestine, the techniques of empire have been wielded to destroy societies. But behind the Maduro extradition may be a kind of new American weakness.As you know, Nicolás Maduro and his… Read More »

I want to talk about a habit in contemporary art writing that I keep running into, especially in Marxist-inflected theory, where interpretation is substituted with citation and judgment is treated as an embarrassment. The pattern is familiar: the artwork becomes an occasion to rehearse a framework, the framework becomes a moral sorting machine, and the… Read More »

To watch a one-minute version of the film, please click here. Burg of Babel (2017-2024) is built on a very simple but unusual structure. On the screen, instead of one large moving image, the viewers see a grid made up of twenty-five rectangles, five across and five down, each playing the same 25-minute film, with… Read More »

Introduction The ongoing war in Gaza has generated extensive polemic among scholars and the general public.1 Some have described this conflict as a novel form of warfare. The deeply asymmetric character of this war and the vast number of Palestinian civilian casualties have prompted some analysts to described Gaza as a “new urban warfare.”2 Others… Read More »

Chris Sharp, Los Angeles slop-gallerist extraordinare, once scolded me on Instagram for comparing Raoul de Keyser to Peter Shear, evidently because he thinks it’s wrong to see connections between artists if they’re not from the same generation, which is a novel opinion if I’ve ever heard one. When I asked why that would be a… Read More »

In the brief essay that follows, I consider art as an event that de-privatizes the subject by exposing us to the hyperobjects constituted by the circulation of transgenerational trauma, power, and subjective identities. I also examine the role of contingency in this process and argue for art as a tool of indifferent future production. What… Read More »

The six-channel work I presented at Art In The Age Of…Asymmetrical Warfare exhibition reconstructs from video archives of the September 11th attacks the televisual unfolding of the event on CNN, Fox, NBC, CBS, ABC and BBC news networks. The synchronic and uninterrupted footage which is playing on a continuous loop starts with the networks’ mundane… Read More »

After visiting the Ordinary Moments exhibition, curated by Mansour Forouzesh and featuring a collective of Iranian independent photographers at the FUGA Gallery in Budapest, I was once again convinced that the consumption of modern Iranian visual culture in the West is essentially orientalistic. Precisely through the contrast this exhibition provides, one can see more clearly… Read More »