Brief Notes on Ideological Complicity

maxresdefault
Ideology is a cynical self defence against the subject’s inability to reconcile themselves with their social existence, the selection between ideal adaptations to the world.* It is neither a surface effect or ‘false consciousness’ of an exterior force with which the subject [subjectum] contends, nor a material substrate of subjection. It is rather the means by which such material subjects consciously misperceive and act to auto-obscure their own subjection [subjectus] to this force. Ideology is the subject’s cynical immuno-response to the inert practical reality of the situation in both everyday life and concrete history. There is nothing unconscious about ideology, it functions not as a domination but rather as a pseudo-liberation, a bracketing off, one by which the slave, as Kojève writes, “seeks to justify himself, to justify his slavery, to reconcile the idea of freedom with the fact of slavery.”[1]

The heightened contradiction inherent to an ideological existence in the world and its participatory character are inextricable, i.e. before ideology is a hyperattenuated fact of society it is a practice by which subjects reproduce themselves as subjects: “the whole entourage of certified origins, reassuring sociologisms, identity prostheses.”[2]

Ideology does not effect a mass psychological internalization and reproduction of the accumulation of capital but is rather itself the effect of a mass internalization and reproduction of the accumulation of capital, its cause is singular and novel and participatory instances and appropriations of subjection to this axiom, the aggregate of which is ideology. As Tiqqun write, “we participate in our own exploitation, and all exploitation is exploited.”[3] Ideally, you are yourself a little business, your own boss, your own product. Ideology treats subjectivity as an opportunity for having a small business.

A periodization of the accumulation of capital is at the same time a periodization of the psychic requirements of the reproduction and accumulation of capital, at one or another moment of its technical development and economic class antagonism; the accumulation of capital only dominates society to the extent that these technical developments and class antagonisms effect a mass psychological void or vacuum into which capitalist habits flow as a matter of course. Ideology is not a pre-existent falseness that obscures material reality, it is the material reality of the activity of falsification, a mass psychological adaptation to the fact of exploitation and exhaustion, the active process of the subject’s sabotaging their own capacity for self-legislation and reason in accord with the reality and implications of a historical materialism; ideology is the scuttling of consistency between the material and the ideal, not a lie believed, but rather truth atrophied, the recurrence of a desired untruth. Wilhelm Reich writes that the economic structure of society “affects and changes the workings of the sexual instinct,”[4] sublimating it and yielding it up as ‘freely’ exchanged labouring-capacity, but the warping of desire into sublimated labouring-capacity is accomplished not by the imprint of the economic structure, but accomplished instead by its appropriation and reproduction by living-labour itself as the labour of its own self-negation.

Frequently, Ideology can appear seductively beautiful. And as they say, you can’t wakeup someone who is pretending to be asleep.

*Perhaps this is why postmodern cynicism is nothing but ideology blatantly doubling up on itself. Castoriadis writes that the absurdity of ‘postmodern’ is obvious and banal, but notes that what is less frequently noted is how its absurdity is itself derivative.

[1] Alexandre Kojève, “Desire and Work in the Master and Slave” in Hegel’s Dialectic of Desire and Recognition: Texts and Commentary ed. John O’Neil (Albany: SUNY Press, 1996), 61.
[2] Tiqqun, This is Not a Program (Los Angeles: Semiotext[e], 2011), 12.
[3] Tiqqun, The Coming Insurrection (Los Angeles: Semiotext[e], 2009), 50-51.
[4] Wilhelm Reich, SEXPOL: Essays, 1929-1934 tr. Anna Bostock, Tom DuBose and Lee Baxandall (New York: Vintage Books, 1972), 46.

More Articles from &&&

The Stirner Affair

Against Normative Morality  If amoralists are gathered in the history of philosophy, the initial catalog features two figures: Stirner and Nietzsche. The former appeared first, which has led to speculative claims of plagiarism by the latter. However, it is more appropriate to place Stirner among the individualists and hedonists, both before and during his time,… Read More »

The Problem of the Nature of Thought

Paulin Hountondji, the Beninese author who died in February and taught philosophy at the National University of Benin, was clearly aware of the magnitude and impact of politician Kwame Nkrumah, since, as he recalls in his autobiography The Struggle for Meaning, his presentation in Paris on the Ghanaian leader’s 1964 book Consciencism caused headlines for… Read More »

I Am A Philosopher

Last year—two years ago?—Cássia Siqueira tweeted: “Better Call Saul S06E07.” I was mystified, but didn’t ask her what it was about. I’d never watched the TV show. But anything Cássia wrote, wherever she wrote it, however cryptic, deserved investigation. So I watched the whole show, knowing I was looking for the meaning of her tweet.… Read More »

Good Times

This piece, initiated and commissioned by Marten Spangberg, is part of a larger project called “When The Museum is Closed” at the Musée d’Art et d’Histoire in Geneva.   All ideas are bad ideas. They are bad not insofar as they are impractical, useless, or lacking in any such respect. They are bad in that… Read More »

The Human Centipede: A View From the Art World*

In time for the opening of Art Basel on June 13 and the release of Eduarda Neves’s Minor Bestiary next month as a more recent critique of contemporary art, we are publishing Reza Negarestani’s “The Human Centipede: A View From The Artworld.” Only delivered once in lecture format at e-flux, New York, in November 2013,… Read More »

Other Endings

Found in the Hyperstition archives, “Other Endings” is the never-published preface to Reza Negarestani’s Cyclonopedia by Nick land, the controversial former Instructor of philosophy at The New Centre which in light of the author’s recent public declaration of his faith in Allah and Islam becomes more than just a premonition but an essential part of… Read More »

Also Reality and the Weight of Conjunctions

Determinant meaning within the English language exists by virtue of the glue that is conjunctions. Sticky little words like “but” and “also” join together, compartmentalize, and disjoint our speech, thoughts, social structure, and reality, in the mathematics of meaning. Even the American legal system depends upon conjunctions like “either/or” and the contrasts they create. Both… Read More »

Letter to the Washed Away

Dear Lee, I texted you earlier today about how Ava went missing during the fires. I’m going up the coast to look for her in a yacht I’ve stolen that belongs to friends of my parents who are away in the Austrian Alps until Christmas. Did you know that the term “yacht” comes from the… Read More »

Interpretation Contra Structural Reading

This article is an extension of “The Narcissist-Image,” departing from Fares Chalabi’s presentation in “Deleuzian Aesthetics.”  Much of Chalabi’s Deleuzian Aesthetics is based on a critique of interpretation, which for Chalabi, is a procedure for reading art where “this means that, and that means this,” that something like the color black points to a feeling… Read More »

Kunstwollen* Minus the Human (Painting in the Age of Machinic Will to Art)

1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »

Ruangrupa: Contemporary Art or Friendship Industry?*

In the past two decades, more than in the past hundred years, authoritarian regimes have risen to power globally. Today, fascist parties are occupying seats in many countries’ governments, such as in the Israeli Knesset, the Dutch Tweede Kamer, the American Congress, and the German Bundestag. Meanwhile, the collective memory of European fascism and its… Read More »

Call the Bronze Age… they forgot their pictograms!

“In the preceding chapter we discussed the development of technoeconomic organization and the establishment of social machinery closely connected with the evolution of techniques. Here I propose to consider the evolution of a fact that emerged together with Homo sapiens in the development of anthropoids: the capacity to express thought in material symbols. (…) As… Read More »

Interferential Axiology: Excess & Disruption

What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances. —Gilbert Simondon1   Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the… Read More »

Here & Elsewhere, at War, & Into the Future

The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »

Zionism Reconsidered

The seminal essay below by Hannah Arendt, spanning 15,000 words was first published in the Menorah Journal in October 1944. This work was inspired by the meeting of the World Zionist Organization’s American section in Atlantic City. This congress was notable for its assertive call for a Jewish state covering the entire territory of Palestine,… Read More »

The Dead God, A short story in two parts

Things had been getting strange at the firm, since the boss had come back from holidays. The black cape and the pile of Crowley books strewn about the office were the first clue. What was Hardeep, the Singaporean tech bro CEO, doing with all this, mused Pierre, a level 7 sales executive, en route to… Read More »

The Purist

Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.

Retinol: A Mode of Action

“Condensed in a formula, the Technological Civilization can be characterized as the transition from ratio to generativity, from matter to process, from nature to the hybrid.” –Davor Löffler If we follow the self-avowed German Accelerationism and deep futurology of Davor Löffler (Löffler 2021), we can posit that everything is co-evolutionary and that there are no… Read More »

The Narcissist Image

In his course Deleuzian Aesthetics Fares Chalabi presents an extended typology of mutually exclusive, rigorously defined image-types, or what I like to call aesthetic structures or aesthetic logics. An image-type or aesthetic logic is a form that structures the entirety of a work of art – take, for example, the ‘series’. The logic of series,… Read More »

Sorry You Can’t Pass a Turing Test But I’m Different 

Five hundred million individuals tried to monetize their social media last year, according to a recent Linktree survey. As a lucky member of this esteemed group, I recently found myself surfing through the entrepreneurial side of TikTok, captivated by a video titled “How to make money with Chat GPT”. The clip tells you to go… Read More »

Unthought Apparitions

In this video essay, Brent Cox works through the poetry of Barbadian poet Kamau Brathwaite and his Sycorax Video Style, which he developed in the early 1980s using a Mac SE/30 and which offers myriad compelling extra-linguistic or extra-conceptual ideas in relation to citationality, literary convention, the constative/performative distinction, the temporality of neologisms, and the… Read More »

The Work of Art in the Age of Cybernetic Criticism

Walter Benjamin’s seminal 1935 essay “The Work of Art in the Age of Mechanical Reproduction” wrestled with the effects of powerful technologies upon culture, and presaged much subsequent writing, e.g. Martin Heidegger and Italo Calvino. Here I want to consider not the artwork-qua-object as in Benjamin, but rather the work of art as an active force, in… Read More »

Modern Art: A True Conspiracy

*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »

Cosmotechnics & the Multicultural Trap

1. Although still a young writer and researcher, it is probably not an exaggeration to say that Yuk Hui is already one of the most influential contemporary thinkers of technology working today. This position is certainly warranted by the strength and scope of his work, the expansive drive and breadth of which is inspiring, especially… Read More »

Pandemic, Time for a Transversal Political Imagination*

I: Symptoms With the omnipresence of the term “symptom” these days, it seems that a plausible escape from the deep horror of this pandemic would be to conduct a symptomatic reading of it. Attributed to Louis Althusser, this method of reading literary and historical texts focuses not on what a text evidently expresses, but on… Read More »