December 9, 2023

Interferential Axiology: Excess & Disruption

What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances.

—Gilbert Simondon1

 

Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the works of Bernard Stiegler to gain an ethical perspective of techno-logical normativity under the threat of societal and environmental collapse. By foregrounding Stiegler’s use of the concept of tragedy, the Nietzschean legacy in his work will be a central part of this exploration, given that disruption is perceived as a nihilism leading to the loss of individuation. In critically reconsidering the role of excess, Nietzsche’s late shift of the tragic antinomy of the individual and individuation towards that of reason and excess will be discussed in order to address the originary ambivalence of disruption. On the one hand, disruption is a necessary concept to consider totalizing tendencies of automation. On the other hand, its dissipative force needs to be questioned around discourses on normativity.

Disruption, as conceptualized by Bernard Stiegler, figures a dissipative process, a loss of individuation of a system of becoming that he describes as organological in the sense that is a dynamic interplay of psycho-social, technological and environmental processes. It is also a noetic approach dealing with the consequences of systemic thinking beyond mechanism.2 Stiegler defines general organology as “a method of thinking […] where technical becoming must be thought via the concept of the technical system, as it adjusts and is adjusted to social systems, themselves constituted by psychic apparatuses.”3 The role of technology as condition and effect of thinking and acting should therefore be acknowledged as what Stiegler calls originary prostheticity: an originary technicity actively considered in the context of both psychic and collective becoming.4

Stiegler primarily foregrounds that algorithmic digital technologies produce a loss of psycho-social individuation by anticipating emotions and actions, therefore creating a loss of the possibility of organological normativity.5 In highlighting the loss of shared “desires, expectations, volitions and will,”6 Stiegler sees a young generation at risk, one that ceased believing in family constructs; in contributing to, and improving, a functioning political system; and in the purpose of its labor.7 He observes the decrease of choices for future generations, as disruption becomes apparent as “the final extremity of nihilism.”8 In several of his later publications, Stiegler refers to a fifteen-year-old person called Florian. They explain their experience of feeling confused and without orientation in a way that, according to Stiegler, marks the “loss of the feeling of existing, the loss of the possibility of expressing one’s will, the correlative loss of all reason for living and the subsequent loss of reason as such.”9 This, as Stiegler points out as a central thesis in many of his works, functions as the cause of madness as the greatest symptom of disruption.10

However, by encompassing a break, an interference, a gap, disruption may also provide a basis for thinking collectivity beyond collective purpose. In this context, disruption reveals its own pharmacology as a mode of thinking that has, finally, abandoned such a finalism that has become apparent as an important ideological cause of techno-capitalist productivity and its unipolar handling of values. Simondon for example finds a “divine finality”11 to be an application of value to utility, as one which supposes an ideal of (cybernetic) complementarity achieved through “absolute and non-communal perfection.”12 Disruption however encompasses the failure of placing higher (technological) achievements of humanity over individual desires. As such it bears critical potential in which the individual, according to Simondon, “instead of being as a substance or a precarious being aspiring to substantiality, is grasped as the singular point of an open infinity of relations.”13 In order to grasp this infinity of relations, the tragic relation of disruption and excess needs to be reconsidered.

What Stiegler therefore conceives as the “tragedy of disruption,”14 in which disruption itself provides the potential for profound change, “not just […] a new epoch, but […] a new era,”15 is that the nihil of disruption actually allows for new modes of social existences to emergesuch is the generative value of disruption and the important influence of Nietzsche in Stiegler’s work, who proposes to take on the former’s task of the “transvaluation of all values.”16 The latter’s “tragedy of disruption” emerges from digital proletarianization, creating a conflict between individual and collective identity, in which many are exposed to automatically produced content in which the algorithmic anticipation of choices results in the experience of a decrease of the possibility of choice due to a pharmacological ambivalence of these technologies.17 However, the critical ambivalence of disruption emerges by considering the limitation of tragic interference to be merely possible within the closed feedback loop of proletarianized individuals and algorithmic technologies.

As Ashley Woodward points out, tragedy in Nietzsche’s sense “thinks the co-constitution of forces or tendencies as a generative difference; that is, it thinks in terms of differential forces in productive relation, rather than opposition, where both are irreducibly necessary.”18 Additionally, Deleuze explains in Nietzsche and Philosophy that Nietzsche revisits the relation between Apollon and Dionysus in Ecce Homo, figuring that the veritable tragic relation is rather between Socrates and Dionysus, shifting the antinomy of individual and individuation toward that of reason and excess.19 As Tracy Colony argues in his critical reading of the influence of Nietzsche on Stiegler’s work, the “absence of a pure origin and the awareness of an originary excess as constitutive of identity is what tragedy was able to articulate prior to the attempted dissolution of these aporias in the categories of metaphysics.”20 If there is no pure origin, there cannot be an imaginary of a pure end; and if there is an a priori of preindividual excess, there is always meaning somewhere.

By reconsidering the meaning of excess alongside that of disruption, the following genealogy could be sketched out: both Nietzsche and Simondon refer to Anaximander’s apeiron, which Nietzsche figures to be das Unbestimmte (“the indefinite”)21 and Simondon redefines as the preindividual, which he also uses interchangeably with nature.22 Stiegler in turn applies the Simondonian concept of the preindividual, but only insofar as the “the funds [fonds] of an epoch (and more precisely what Simondon called its preindividual funds)”23 are exhausted by disruption.24 It appears that disruption itself, according to Stiegler, is precisely problematic because it cannot be undermined by excess. But then, by introducing the notion of the tragic, disruption becomes an ambiguity which also bears the potential for profound societal change in the same universal manner as in its dissipation, which Stiegler takes from Nietzsche:

Witnessing the sudden expansion of European capitalism in Germany, Britain and France, Nietzsche, who saw this degradation and its sudden acceleration, described it in terms of nihilism. We ourselves see this nihilism fulfilled and accomplished in the twenty-first century as disruption, via machinic calculability that today effects disinhibition in a thoroughly automatic way.25

A potential problem evoked by Nietzsche’s philosophy is addressed by Simondon, who argues that it inherits the problem of complementarity, by arguing from the perspective of becoming in its entirety with the concept of eternal return.26 However, there appears to be a necessary tension which enables the problematization of disruption and its effect on society in the first place.

It could be argued that Stiegler has the question of choice at heart of his texts, since computation and algorithmic technologies pose the problem of automatism as a lack of normativity, expressed by Stiegler as “automatic nihilism.”27 Cécile Malaspina in this regard chooses to consider a more dynamic understanding of value by framing noise as a conceptualization of the preindividual, in which noise signifies not merely the state of the system’s interference, but further provides “ground for the emergence of form and its transformation,”28 ultimately allowing “the greatest possible ‘freedom of choice.’”29 For Malaspina, who draws on Shannon’s and Weaver’s concept of information entropy, noise signifies the excessiveness of information outside of a configuration of information as negentropy.30 As de Jager observes by referring to Malaspina: “‘nowhere in the empirical world is a closed system realized in absolute terms,’ we are always bound to some degree of excess.”31 If there is no closed system, the notion of interference only makes sense to some extent. But simultaneously, interferences are only possible through open systems in the first place.32

Stiegler’s analysis of a loss of reason encompasses the pharmacological dimension of disruptive nihilism itself, in which excess proves to be the duplicity of disruption. Reason, for Stiegler, is inevitably coupled with “desires, expectations, volitions and will” or what he calls “the loss of the feeling of existing, the loss of the possibility of expressing one’s will, the correlative loss of all reason for living and the subsequent loss of reason as such.”33 However, Stiegler may not consider how reason as such could be inadequate to represent the experiences of generations deeply intertwined with algorithmic digital technologies. Family and gender constructs as well as political ideals may fall apart due to their lack of potential to represent algorithmic organological realities which reveal complex and cosmotechnical interfaces of economic and environmental realities. In his exploration of values, Simondon points out that it is actually the “universal will” of finalism, compensating all expressions of life under a universal purpose, which universalizes “the principle of sufficient reason.”34 Stiegler however may have underestimated the ethical potential amidst the process of proletarianization emerging from many factors which disruption entails.

When considering the concept of tragedy to explain the relation of the axiology of excess and disruption, it could be argued that ethics are not destroyed alongside reason, but that they in fact can and should be reframed in different terms. For example, according to Matilde Marcolli’s anarcho-transhumanist examination of Nietzsche’s philosophy, “ethical values should stem from the affirmation of life and are not bound to the realm of rational analysis.”35 Such affirmation requires a different set of values when thinking about interference. And Marcolli’s anarchist reading of transhumanism in fact is very different from Stiegler’s critical understanding of a kind of transhumanism, which he attaches to Google’s various projects which “[take] the statistical and probabilistic calculation of averages as its standard, and thereby in fact eliminates idiomatic linguistic difference, that is, diachronic and idiosyncratic variability.”36 Such a transhumanism is involved in a hostility against the life that exists today, which is life in transition. The ambiguity in Stiegler’s work lies in how is critical approach is holding on to ideals of life which turn themselves against any potential desires of those of generations already intimately intertwined with algorithmic technologies.37

The defiant potential of Stiegler’s solidarity with Florian’s generation is therefore under threat, as he focuses on the dissipative effects of algorithmic psycho-collective becoming. This becomes apparent when connecting Florian’s observationsAll that is over and done with, because we’re sure that we will be the last generation, or one of the last, before the end”38initially printed in 2006,39 to more recent times. They prefigure the rhetoric which more radical climate protest groups would pick up during Covid around 2021, such as the organization Die Letzte Generation (“the last generation”), famous for its large-scale and controversial road and airport blockages across Germany, Austria and Italy.40 Sadly, besides still hoping for political emergency reactions to the climate catastrophe, they also teach us the conduct of bearing, as physicist Carlo Rovelli frames it, the death of the collective in the same manner an individual bears the limitation of its own existence.41 The fact that we as individuals are eventually going to die has never been a sufficient reason for unethical behavior, and the same could be applied when facing the decease of societies as we know them.

It is therefore important to consider and explore the values which are carriedbeyond any apparent subsequent loss of reason or meaningby those collectives actively dealing with existential threats and dooming nihilism. Such a consideration also exceeds Stiegler’s enthusiasm for Greta Thunberg’s wakening call for emergency acting and thinking.42 As shown by the British organization Just Stop Oil, climate protests are continuing despite the lack of hope for success. On June 15, 2023, Just Stop Oil released a newsletter in which it condemned Britain’s increase of police security against climate protestors seemingly at the same time as scientists announced that the geological tipping point to prevent the irrevocable melting of glaciers and large ice masses had been crossed. Just Stop Oil wrote that “the government wants to remove all hope and break us apart because they know we cannot beat them as individuals. But, together, we have more strength than they are capable of understanding.”43 There appears to be a collectivity beyond collective protention, beyond the necessity of shared desires and future prospects, showing that there can be ethical compassion based on affirmation rather than reason.

 

NOTES

1 Gilbert Simondon. “Values and the Search for Objectivity,” in Individuation in Light of Notions of Form and Information: Volume II: Supplemental Texts(University of Minnesota Press: Minneapolis, 2020), 407.

2 The first to suggest the concept of general organology was Georges Canguilhem. In his text “Machine and Organism”, originally published in French in 1952 in La Connaissance de la Vie, Canguilhem figures that organisms have hitherto been studied under the principle of mechanics, while the organic condition of the evolution of technics remains under-researched; see: Yuk Hui, Recursivity and Contingency (Rowman & Littlefield: London/New York, 2019), 25; Georges Canguilhem, “Machine and Organism,” in Incorporations, ed. Jonathan Crary, Sanford Kwinter (Zone Books: New York, 1992), 45, 69.

3 Bernard Stiegler, “General Ecology, Economy and Organology,” in General Ecology: The New Ecological Paradigm, ed. Erich Ho?rl, James Burton (Bloomsbury: London, 2017), 130.

4 Bernard Stiegler, Technics and Time 3, trans. Stephen Barker (Stanford University Press: Stanford, CA, 2011), 58.

5 Bernard Stiegler. The Age of Disruption, trans. Daniel Ross (Polity: Cambridge, 2019), 96.

6 Ibid., 7.

7 Ibid., 10.

8 Bernard Stiegler, The Neganthropocene, trans. Daniel Ross, (Open Humanities Press: London, 2018),  209.

9 Bernard Stiegler, The Age of Disruption, 8.

10 Stiegler describes disruption as “an extreme stage of rationalization, forming a threshold, that is, a limit. What lies beyond this limit remains unknown: it destroys reason not only in the sense that rational knowledge finds itself eliminated by proletarianization, but in the sense that individuals and groups, losing the very possibility of existing (for their existence depends on being able to express their will), losing therefore all reason for living, become literally mad, and tend to despise life – their own and that of others.” Ibid.

11 <Simondon, “Values and the Search for Objectivity,” 403.

12 Ibid.

13 Ibid., 407.

14 Stiegler, The Age of Disruption, 301.

15 Ibid.

16 Stiegler, The Neganthropocene, 67.

17 Stiegler, The Age of Disruption, 229.

18 Ashley Woodward, “Nihilism, Neonihilism, Hypernihilism: ‘Nietzsche aujourd’hui’ Today?,” Nietzsche-Studien 48 (2019), 256.

19 Gilles Deleuze, Nietzsche and Philosophy, trans. Hugh Tomlinson (Columbia University Press: New York, 1983), 11.

20Tracy Colony, “Composing Time: Stiegler on Nietzsche, Nihilism and a Possible Future,” in Nietzsche and the Politics of Difference, ed. Andrea Rehberg and Ashley Woodwar (De Gruyter: Berlin, 2022), 35.

21 See Marianne Cowan who, in her introduction to Nietzsche’s Philosophy of the Tragic Greeks, chose the translation as “the indefinite”, mentioning that Nietzsche reconfigured Anaximander’s concept originally meaning “boundless.” Friedrich Nietzsche, Philosophy of the Tragic Greeks, trans. Marianne Cowan (Gateway Editions: Washington, 1962), 20. 

22 Pascal Chabot, The Philosophy of Simondon: Between Technology and Information (Bloomsbury: London/New York, 2003), 86–87.

23 Stiegler, The Age of Disruption, 18.

24 Ibid.

25 <Stiegler, The Age of Disruption, 229.

26 Simondon, “Values and the Search for Objectivity,” 403.

27 Stiegler, The Age of Disruption, 7.

28 Cécile Malaspina, An Epistemology of Noise (Bloomsbury: London, 2018), 48.

29 Ibid.

30 Ibid., 116, 189.

31 Sonia de Jager, “Semantic Noise in the Winograd Schema Challenge of Pronoun Disambiguation,” Humanities and Social Sciences Communications 10:161 (2023): 7.

32 This second point was made by Malaspina in a conversation concerning the development of this piece of writing.

33 Stiegler, The Age of Disruption, 8.

<34 Simondon, “Values and the Search for Objectivity,” 403.

35 Matilde Marcolli, “A Bridge and a Sunset,” Tripleampersand,

https://tripleampersand.org/a-bridge-and-a-sunset/, accessed 15 August 2023).

36 Stiegler, The Age of Disruption, 32.

37 One example that would need to be analyzed in this context is the relationship between mother and child in Bernard Stiegler, What Makes Life Worth Living. On Pharmacology, trans. Daniel Ross (Polity: Cambridge), 2013. 

38 Stiegler, The Neganthropocene, 233. 

39 Bernard Stiegler, L’Effondrement du temps: Tome 1, Pénétration (Paris: Le Grand Souffle Editions, 2006).

40 See “Last Generation (climate movement),” Wikipedia,

https://en.wikipedia.org/wiki/Last_Generation_(climate_movement), accessed 15 August 2023.

41 Carlo Rovelli, Seven Brief Lessons on Physics (Riverhead Books: New York, 2016).

42 Bernard Stiegler. Qu’appelle-t-on Panser ? T2: La leçon de Greta Thunberg (Éditions Les Liens qui libèrent: Paris, 2020).

43 Just Stop Oil, Newsletter, 25 June 2023.

More Articles from &&&

Kunstwollen* Minus the Human (Painting in the Age of Machinic Will to Art)

1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »

Ruangrupa: Contemporary Art or Friendship Industry?*

In the past two decades, more than in the past hundred years, authoritarian regimes have risen to power globally. Today, fascist parties are occupying seats in many countries’ governments, such as in the Israeli Knesset, the Dutch Tweede Kamer, the American Congress, and the German Bundestag. Meanwhile, the collective memory of European fascism and its… Read More »

Call the Bronze Age… they forgot their pictograms!

“In the preceding chapter we discussed the development of technoeconomic organization and the establishment of social machinery closely connected with the evolution of techniques. Here I propose to consider the evolution of a fact that emerged together with Homo sapiens in the development of anthropoids: the capacity to express thought in material symbols. (…) As… Read More »

Interferential Axiology: Excess & Disruption

What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances. —Gilbert Simondon1   Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the… Read More »

Here & Elsewhere, at War, & Into the Future

The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »

Zionism Reconsidered

The seminal essay below by Hannah Arendt, spanning 15,000 words was first published in the Menorah Journal in October 1944. This work was inspired by the meeting of the World Zionist Organization’s American section in Atlantic City. This congress was notable for its assertive call for a Jewish state covering the entire territory of Palestine,… Read More »

The Dead God, A short story in two parts

Things had been getting strange at the firm, since the boss had come back from holidays. The black cape and the pile of Crowley books strewn about the office were the first clue. What was Hardeep, the Singaporean tech bro CEO, doing with all this, mused Pierre, a level 7 sales executive, en route to… Read More »

The Purist

Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.

Retinol: A Mode of Action

“Condensed in a formula, the Technological Civilization can be characterized as the transition from ratio to generativity, from matter to process, from nature to the hybrid.” –Davor Löffler If we follow the self-avowed German Accelerationism and deep futurology of Davor Löffler (Löffler 2021), we can posit that everything is co-evolutionary and that there are no… Read More »

The Narcissist Image

In his course Deleuzian Aesthetics Fares Chalabi presents an extended typology of mutually exclusive, rigorously defined image-types, or what I like to call aesthetic structures or aesthetic logics. An image-type or aesthetic logic is a form that structures the entirety of a work of art – take, for example, the ‘series’. The logic of series,… Read More »

Sorry You Can’t Pass a Turing Test But I’m Different 

Five hundred million individuals tried to monetize their social media last year, according to a recent Linktree survey. As a lucky member of this esteemed group, I recently found myself surfing through the entrepreneurial side of TikTok, captivated by a video titled “How to make money with Chat GPT”. The clip tells you to go… Read More »

Unthought Apparitions

In this video essay, Brent Cox works through the poetry of Barbadian poet Kamau Brathwaite and his Sycorax Video Style, which he developed in the early 1980s using a Mac SE/30 and which offers myriad compelling extra-linguistic or extra-conceptual ideas in relation to citationality, literary convention, the constative/performative distinction, the temporality of neologisms, and the… Read More »

The Work of Art in the Age of Cybernetic Criticism

Walter Benjamin’s seminal 1935 essay “The Work of Art in the Age of Mechanical Reproduction” wrestled with the effects of powerful technologies upon culture, and presaged much subsequent writing, e.g. Martin Heidegger and Italo Calvino. Here I want to consider not the artwork-qua-object as in Benjamin, but rather the work of art as an active force, in… Read More »

Modern Art: A True Conspiracy

*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »

Cosmotechnics and the Multicultural Trap

1. Although still a young writer and researcher, it is probably not an exaggeration to say that Yuk Hui is already one of the most influential contemporary thinkers of technology working today. This position is certainly warranted by the strength and scope of his work, the expansive drive and breadth of which is inspiring, especially… Read More »

Pandemic, Time for a Transversal Political Imagination*

I: Symptoms With the omnipresence of the term “symptom” these days, it seems that a plausible escape from the deep horror of this pandemic would be to conduct a symptomatic reading of it. Attributed to Louis Althusser, this method of reading literary and historical texts focuses not on what a text evidently expresses, but on… Read More »

Generation Z: Invincible, Angry & Radical*

*Originally published by BBC Persian, to read the original, please click here.  Following the protests that are taking place in Iran after the killing of Mahsa Amini by the forces of the Islamic Republic of Iran, the attention of the people and the media has been drawn to the role, and strong presence of the… Read More »

A dialogue on Law & Platform Architecture

Note: This piece was co-produced as a dialogue in the manner of a feedback between the authors. They reacted to each other’s thoughts on Law about Space while having as a single rule that each would use a different language as a tool of communication. Zé would use written text, whereas Artemis would use visual expressions. When… Read More »

Arriving from the Future: Sinofuturism & the post-human in the philosophy of Nick Land & Yuk Hui

Modernity and technics “If you think about the Silk Road in the past, there’s this idea of eastern and western people meeting on some kind of big road and maybe selling and buying things. I think this history repeats itself, and some kind of new and interesting phenomenon is happening.” —Kim Namjoon, member of the group… Read More »

Artist as a Formal System: Towards a general theory of art

For the past few years, I’ve been engaged with writing a footnote to an essay with an attempted theoretical explication of what is meant by the word “art”. For a much longer time, I’ve pursued a very abstract but also very specific direction in my own art practice – like any other artist. One little… Read More »

On Daniel Hölzl’s Grounded

“Oil is the undercurrent of all narrations, not only the political but also that of the ethics of life on earth. This undercurrent material, petroleum narrates the dynamics of planetary events from macroscopic scales such as hot and cold wars, migrations, religious and political uprisings, to micro or even nanoscopic scales such as the chemical… Read More »

The Future History of Skills

We become what we behold. We shape our tools and, thereafter, our tools shape us. — John Culkin (1967) “A Schoolman’s Guide to Marshall McLuhan” (The Saturday Review) Human creativity is often driven by lateral thinking, which according to Margaret Boden has a weakness. She posits that AI can introduce better “standards of rigor, […]… Read More »

Babylonian Neo-mustaqbal: Continental Vibe and the Metaverse

My aim here is to venture a scholarly definition of the Continental Vibe, but allow me to arrive there via an anecdote, or an impression, really – one of my earliest memories of viewing the world as a cast of signs and symbols. A somersault of senses: visual, auditory, tactile, olfactory. A sum of building blocks and a bevy… Read More »

Telos at the End: A Meditation on Dysteleological Superintelligence

I proceed from an actual fact. For all the scenarios of existential risk from Artificial Intelligence/Superintelligence, there’s always been the same thing. There’s always been this aspect, put tacitly or implicitly, either merely enlisted, or considered to be decisive. And what is it? It is the presupposed teleology. Varying in movements and outcomes, all AI-concerned… Read More »

Second-order Design Fictions in End Times

This conversation on Second-order design fiction is part of an ongoing collective research project by Fry and Perera on Technology, Cosmotechnics, Design and Resistance. In their conversation Fry and Perera explore the concept of second-order design fiction (SoDF) as an emergent means of addressing how design is understood and practiced in the context of the… Read More »