February 19, 2017

Nick Land & Accelerationism

This is Nick Land, one of the most important philosophers of the last 20 years, and one the most innovative thinkers on the subjects of cybernetics and late capitalism. He is also one of the theorists of NRx, and is one of accelerationism’s primary figureheads. Nick Land didn’t always belong to the Right. Initially, he was a Deleuzian Marxist and he formulated most of his original ideas during his involvement with CCRU (Cybernetic Culture Research Unit) at Warwick University.

Land believes that neoliberal capitalism will continue down a path of libidinous growth and its contradictions and inequalities will expand along with technological growth on a vast global scale. The phenomenon is roughly what can be described as “accelerationism.” Capitalism is reaching its limits and the transition is bound to happen. If this tendency goes on unchecked, technological growth will expand to such a degree that humankind’s welfare is just an obstacle to capitalism’s end goal of brutal efficiency. However, there are left and right alignments to accelerationism. The right alignment is consisted of NRx, Vulgar Libertarianism and the Alt-Right. The Trump administration is both a symptom and a catalyst for right accelerationism.

The ideal form of governance for NRx is CEO monarchists running micronations. Its concept of historical progress consists of eugenics augmented by biotechnologyas a result of the expansion of the gap between the very wealthy and the world’s poor. It’s the heads of Exxon and Goldman Sachs with cabinet seats. It’s ignoring the reality of climate change because the world’s underclass, who are most affected by this, are a economically useless class. When we finally automate all labour, the society no longer needs them. NRX utopia is the Wall Street intersecting with Silicon Valley tunneling money via shadow banking through hedge funds. It’s Elon Musk’s Mars terraforming project in the event of the planet earth becoming inhospitable. The wealthiest people in the world are throwing fortunes at a gated world after climate change as opposed to fixing it for everyone. Whether Consciously belonging to the NRx movement or not, these figureheads sit on Trump’s advisory board.

In the words of the late Mark Fisher one of the thinkers of Left Accelerationism who conceived of Right Accelerationism as, “Deleuze and Guattari’s machinic desire remorselessly stripped of all Bergsonian vitalism, and made backwards-compatible with Freud’s death drive and Schopenhauer’s Will. The Hegelian-Marxist motor of history is then transplanted into this pulsional nihilism: the idiotic autonomic Will no longer circulating idiotically on the spot, but upgraded into a drive, and guided by a quasi-teleological artificial intelligence attractor that draws terrestrial history over a series of intensive thresholds that have no eschatological point of consummation, and that reach empirical termination only contingently if and when its material substrate burns out. This is Hegelian-Marxist historical materialism inverted: Capital will not be ultimately unmasked as exploited labour power; rather, humans are the meat puppet of Capital, their identities and self-understandings are simulations that can and will ultimately be sloughed off.”

Screen Shot 2017-02-19 at 12.17.09 PM

Trumpolitics isn’t an aberration, it is politics in our current state of affairs. Trump is the apotheosis of all Alt-Right ideas: gross machismo and alpha male posturing (manosphere), the illusion of blue collar populism/living breathing corporate astroturfing (Tea Party), the idea of whiteness in crisis (Identitarianism), xenophobia (white nationalism), the Klan’s candidate of choice (1488), Making America Great Again (paleoconservatism), vulgarity (Deplorables), capitalism run amok (vulgar libertarianism), Christian radicalism (Evangelical Christianity), societal collapse (NRx).

But politics is not all hopeless. Left Accelerationism is an alternative, and it’s the idea that the only way out of multinational late capitalism is through it. Capitalism has one direction at this point and that’s collapse. Either it collapses into socialism or fascism, but it’ll collapse. Technological growth is a consequence of capitalism and technology. It can and should be repurposed. Left acceleration anticipates this collapse and aims to utilize technology to not only nudge the collapse Leftward, but to seize control via a counter-hegemony symmetrical to right populism. Marxism for the 21st century is nothing if not left Accelelerationism.

Accelerationism in its left alignment acknowledges that capitalism is the common denominator in all global conflicts which all affect one another in a complex schema. Horizontal & local politics can’t contend with this planetary complexity. Capitalism has in the past made socialized concessions to prevent its collapse. Make all the jokes you want about “fully automated space communism” and the implausibility of such a world, but that’s part of why the Left keeps dissaponting itself. Left Accelerationism urges the larger left to reject nostalgia and embrace Bogdanovian “tektology” (https://en.wikipedia.org/wiki/Tektology) and global systems.

Punching Richard Spencer is satisfying but the left also needs new political infrastructures. In the last five years Left Accelerationist action has mostly amounted to intellectual elite meetings, high-quality publishing, contemporary art projects and academic conferences. Left Accelerationism needs to leave behind its safe theoretical embryo and its current status a new intellectual cult around certain figureheads and a new brand identity for personal career advancement in arts and academia and instead become a real planetary political movement.

Accelerationism in any alignment (Right or Left) isn’t an idea that we just debate. It is a reality that we must confront and grapple with.“Machinic revolution must therefore go in the opposite direction to socialistic regulation pressing towards ever more uninhibited marketization of the pro­cesses that are tearing down the social field, “still further” with “the movement of the market, of decoding and deterritorialization” and ‘one can never go far enough in the direction of deterritori­alization: you haven’t seen anything yet.’” (Nick Land, Fanged Noumena, 341-342; embedded quotations from Deleuze and Guattari, Anti-Oedipus, 239, 321)

More Articles from &&&

The Stirner Affair

Against Normative Morality  If amoralists are gathered in the history of philosophy, the initial catalog features two figures: Stirner and Nietzsche. The former appeared first, which has led to speculative claims of plagiarism by the latter. However, it is more appropriate to place Stirner among the individualists and hedonists, both before and during his time,… Read More »

The Problem of the Nature of Thought

Paulin Hountondji, the Beninese author who died in February and taught philosophy at the National University of Benin, was clearly aware of the magnitude and impact of politician Kwame Nkrumah, since, as he recalls in his autobiography The Struggle for Meaning, his presentation in Paris on the Ghanaian leader’s 1964 book Consciencism caused headlines for… Read More »

I Am A Philosopher

Last year—two years ago?—Cássia Siqueira tweeted: “Better Call Saul S06E07.” I was mystified, but didn’t ask her what it was about. I’d never watched the TV show. But anything Cássia wrote, wherever she wrote it, however cryptic, deserved investigation. So I watched the whole show, knowing I was looking for the meaning of her tweet.… Read More »

Good Times

This piece, initiated and commissioned by Marten Spangberg, is part of a larger project called “When The Museum is Closed” at the Musée d’Art et d’Histoire in Geneva.   All ideas are bad ideas. They are bad not insofar as they are impractical, useless, or lacking in any such respect. They are bad in that… Read More »

The Human Centipede: A View From the Art World*

In time for the opening of Art Basel on June 13 and the release of Eduarda Neves’s Minor Bestiary next month as a more recent critique of contemporary art, we are publishing Reza Negarestani’s “The Human Centipede: A View From The Artworld.” Only delivered once in lecture format at e-flux, New York, in November 2013,… Read More »

Other Endings

Found in the Hyperstition archives, “Other Endings” is the never-published preface to Reza Negarestani’s Cyclonopedia by Nick land, the controversial former Instructor of philosophy at The New Centre which in light of the author’s recent public declaration of his faith in Allah and Islam becomes more than just a premonition but an essential part of… Read More »

Also Reality and the Weight of Conjunctions

Determinant meaning within the English language exists by virtue of the glue that is conjunctions. Sticky little words like “but” and “also” join together, compartmentalize, and disjoint our speech, thoughts, social structure, and reality, in the mathematics of meaning. Even the American legal system depends upon conjunctions like “either/or” and the contrasts they create. Both… Read More »

Letter to the Washed Away

Dear Lee, I texted you earlier today about how Ava went missing during the fires. I’m going up the coast to look for her in a yacht I’ve stolen that belongs to friends of my parents who are away in the Austrian Alps until Christmas. Did you know that the term “yacht” comes from the… Read More »

Interpretation Contra Structural Reading

This article is an extension of “The Narcissist-Image,” departing from Fares Chalabi’s presentation in “Deleuzian Aesthetics.”  Much of Chalabi’s Deleuzian Aesthetics is based on a critique of interpretation, which for Chalabi, is a procedure for reading art where “this means that, and that means this,” that something like the color black points to a feeling… Read More »

Kunstwollen* Minus the Human (Painting in the Age of Machinic Will to Art)

1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »

Ruangrupa: Contemporary Art or Friendship Industry?*

In the past two decades, more than in the past hundred years, authoritarian regimes have risen to power globally. Today, fascist parties are occupying seats in many countries’ governments, such as in the Israeli Knesset, the Dutch Tweede Kamer, the American Congress, and the German Bundestag. Meanwhile, the collective memory of European fascism and its… Read More »

Call the Bronze Age… they forgot their pictograms!

“In the preceding chapter we discussed the development of technoeconomic organization and the establishment of social machinery closely connected with the evolution of techniques. Here I propose to consider the evolution of a fact that emerged together with Homo sapiens in the development of anthropoids: the capacity to express thought in material symbols. (…) As… Read More »

Interferential Axiology: Excess & Disruption

What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances. —Gilbert Simondon1   Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the… Read More »

Here & Elsewhere, at War, & Into the Future

The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »

Zionism Reconsidered

The seminal essay below by Hannah Arendt, spanning 15,000 words was first published in the Menorah Journal in October 1944. This work was inspired by the meeting of the World Zionist Organization’s American section in Atlantic City. This congress was notable for its assertive call for a Jewish state covering the entire territory of Palestine,… Read More »

Modern Art: A True Conspiracy

*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »

The Dead God, A short story in two parts

Things had been getting strange at the firm, since the boss had come back from holidays. The black cape and the pile of Crowley books strewn about the office were the first clue. What was Hardeep, the Singaporean tech bro CEO, doing with all this, mused Pierre, a level 7 sales executive, en route to… Read More »

The Purist

Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.

Retinol: A Mode of Action

“Condensed in a formula, the Technological Civilization can be characterized as the transition from ratio to generativity, from matter to process, from nature to the hybrid.” –Davor Löffler If we follow the self-avowed German Accelerationism and deep futurology of Davor Löffler (Löffler 2021), we can posit that everything is co-evolutionary and that there are no… Read More »

The Narcissist Image

In his course Deleuzian Aesthetics Fares Chalabi presents an extended typology of mutually exclusive, rigorously defined image-types, or what I like to call aesthetic structures or aesthetic logics. An image-type or aesthetic logic is a form that structures the entirety of a work of art – take, for example, the ‘series’. The logic of series,… Read More »

Sorry You Can’t Pass a Turing Test But I’m Different 

Five hundred million individuals tried to monetize their social media last year, according to a recent Linktree survey. As a lucky member of this esteemed group, I recently found myself surfing through the entrepreneurial side of TikTok, captivated by a video titled “How to make money with Chat GPT”. The clip tells you to go… Read More »

Unthought Apparitions

In this video essay, Brent Cox works through the poetry of Barbadian poet Kamau Brathwaite and his Sycorax Video Style, which he developed in the early 1980s using a Mac SE/30 and which offers myriad compelling extra-linguistic or extra-conceptual ideas in relation to citationality, literary convention, the constative/performative distinction, the temporality of neologisms, and the… Read More »

The Work of Art in the Age of Cybernetic Criticism

Walter Benjamin’s seminal 1935 essay “The Work of Art in the Age of Mechanical Reproduction” wrestled with the effects of powerful technologies upon culture, and presaged much subsequent writing, e.g. Martin Heidegger and Italo Calvino. Here I want to consider not the artwork-qua-object as in Benjamin, but rather the work of art as an active force, in… Read More »

Cosmotechnics & the Multicultural Trap

1. Although still a young writer and researcher, it is probably not an exaggeration to say that Yuk Hui is already one of the most influential contemporary thinkers of technology working today. This position is certainly warranted by the strength and scope of his work, the expansive drive and breadth of which is inspiring, especially… Read More »

Pandemic, Time for a Transversal Political Imagination*

I: Symptoms With the omnipresence of the term “symptom” these days, it seems that a plausible escape from the deep horror of this pandemic would be to conduct a symptomatic reading of it. Attributed to Louis Althusser, this method of reading literary and historical texts focuses not on what a text evidently expresses, but on… Read More »