Day 57: Andrey Gorokhov responds to Oleksiy Radynski,“The Arts for the Global Conflict: A 2115 Report”
“The joy of time travel isn’t to see how the world or people will look at a very distant point in time, but to find that there some concepts, pictures, artifacts, lifehacks, etc, that derive exclusively from one’s own era. Yet, what’s found is actually brought by the time traveler himself in order to save today’s artifacts and circumstances from decay, or — even better — from critique and close scrutiny . . . the time traveler becomes a smuggler: in order to stop something from being questioned, he smuggles it into the distant future, since no one is yet there to have any doubts about the many issues, ideas and controversies of our highly nontransparent age. It appears therefore, as though the real achievement of the future — its comparative advantage — is the absence of doubts, cognitive disorders, paradoxes and dissonances. There are no double binds in the future! In the future everybody cares for art and artists and we don’t even need to ask ‘why?’… In the future, such questions, as well as many others, no longer exist…”
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