Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.
Against Normative Morality If amoralists are gathered in the history of philosophy, the initial catalog features two figures: Stirner and Nietzsche. The former appeared first, which has led to speculative claims of plagiarism by the latter. However, it is more appropriate to place Stirner among the individualists and hedonists, both before and during his time,… Read More »
Paulin Hountondji, the Beninese author who died in February and taught philosophy at the National University of Benin, was clearly aware of the magnitude and impact of politician Kwame Nkrumah, since, as he recalls in his autobiography The Struggle for Meaning, his presentation in Paris on the Ghanaian leader’s 1964 book Consciencism caused headlines for… Read More »
Last year—two years ago?—Cássia Siqueira tweeted: “Better Call Saul S06E07.” I was mystified, but didn’t ask her what it was about. I’d never watched the TV show. But anything Cássia wrote, wherever she wrote it, however cryptic, deserved investigation. So I watched the whole show, knowing I was looking for the meaning of her tweet.… Read More »
This piece, initiated and commissioned by Marten Spangberg, is part of a larger project called “When The Museum is Closed” at the Musée d’Art et d’Histoire in Geneva. All ideas are bad ideas. They are bad not insofar as they are impractical, useless, or lacking in any such respect. They are bad in that… Read More »
In time for the opening of Art Basel on June 13 and the release of Eduarda Neves’s Minor Bestiary next month as a more recent critique of contemporary art, we are publishing Reza Negarestani’s “The Human Centipede: A View From The Artworld.” Only delivered once in lecture format at e-flux, New York, in November 2013,… Read More »
Found in the Hyperstition archives, “Other Endings” is the never-published preface to Reza Negarestani’s Cyclonopedia by Nick land, the controversial former Instructor of philosophy at The New Centre which in light of the author’s recent public declaration of his faith in Allah and Islam becomes more than just a premonition but an essential part of… Read More »
Determinant meaning within the English language exists by virtue of the glue that is conjunctions. Sticky little words like “but” and “also” join together, compartmentalize, and disjoint our speech, thoughts, social structure, and reality, in the mathematics of meaning. Even the American legal system depends upon conjunctions like “either/or” and the contrasts they create. Both… Read More »
Dear Lee, I texted you earlier today about how Ava went missing during the fires. I’m going up the coast to look for her in a yacht I’ve stolen that belongs to friends of my parents who are away in the Austrian Alps until Christmas. Did you know that the term “yacht” comes from the… Read More »
This article is an extension of “The Narcissist-Image,” departing from Fares Chalabi’s presentation in “Deleuzian Aesthetics.” Much of Chalabi’s Deleuzian Aesthetics is based on a critique of interpretation, which for Chalabi, is a procedure for reading art where “this means that, and that means this,” that something like the color black points to a feeling… Read More »
1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »
In the past two decades, more than in the past hundred years, authoritarian regimes have risen to power globally. Today, fascist parties are occupying seats in many countries’ governments, such as in the Israeli Knesset, the Dutch Tweede Kamer, the American Congress, and the German Bundestag. Meanwhile, the collective memory of European fascism and its… Read More »
“In the preceding chapter we discussed the development of technoeconomic organization and the establishment of social machinery closely connected with the evolution of techniques. Here I propose to consider the evolution of a fact that emerged together with Homo sapiens in the development of anthropoids: the capacity to express thought in material symbols. (…) As… Read More »
What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances. —Gilbert Simondon1 Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the… Read More »
The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »
The seminal essay below by Hannah Arendt, spanning 15,000 words was first published in the Menorah Journal in October 1944. This work was inspired by the meeting of the World Zionist Organization’s American section in Atlantic City. This congress was notable for its assertive call for a Jewish state covering the entire territory of Palestine,… Read More »
Things had been getting strange at the firm, since the boss had come back from holidays. The black cape and the pile of Crowley books strewn about the office were the first clue. What was Hardeep, the Singaporean tech bro CEO, doing with all this, mused Pierre, a level 7 sales executive, en route to… Read More »
Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.
“Condensed in a formula, the Technological Civilization can be characterized as the transition from ratio to generativity, from matter to process, from nature to the hybrid.” –Davor Löffler If we follow the self-avowed German Accelerationism and deep futurology of Davor Löffler (Löffler 2021), we can posit that everything is co-evolutionary and that there are no… Read More »
In his course Deleuzian Aesthetics Fares Chalabi presents an extended typology of mutually exclusive, rigorously defined image-types, or what I like to call aesthetic structures or aesthetic logics. An image-type or aesthetic logic is a form that structures the entirety of a work of art – take, for example, the ‘series’. The logic of series,… Read More »
Five hundred million individuals tried to monetize their social media last year, according to a recent Linktree survey. As a lucky member of this esteemed group, I recently found myself surfing through the entrepreneurial side of TikTok, captivated by a video titled “How to make money with Chat GPT”. The clip tells you to go… Read More »
In this video essay, Brent Cox works through the poetry of Barbadian poet Kamau Brathwaite and his Sycorax Video Style, which he developed in the early 1980s using a Mac SE/30 and which offers myriad compelling extra-linguistic or extra-conceptual ideas in relation to citationality, literary convention, the constative/performative distinction, the temporality of neologisms, and the… Read More »
Walter Benjamin’s seminal 1935 essay “The Work of Art in the Age of Mechanical Reproduction” wrestled with the effects of powerful technologies upon culture, and presaged much subsequent writing, e.g. Martin Heidegger and Italo Calvino. Here I want to consider not the artwork-qua-object as in Benjamin, but rather the work of art as an active force, in… Read More »
*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »
1. Although still a young writer and researcher, it is probably not an exaggeration to say that Yuk Hui is already one of the most influential contemporary thinkers of technology working today. This position is certainly warranted by the strength and scope of his work, the expansive drive and breadth of which is inspiring, especially… Read More »
I: Symptoms With the omnipresence of the term “symptom” these days, it seems that a plausible escape from the deep horror of this pandemic would be to conduct a symptomatic reading of it. Attributed to Louis Althusser, this method of reading literary and historical texts focuses not on what a text evidently expresses, but on… Read More »