TripleAmpersand Journal (&&&)

The dead keep surfacing on the interface. A social media profile reappears under People You May Know, a birthday reminder fires for someone buried in the spring, a subscription renews against a card nobody thought to cancel, a playlist refreshes itself for no one.

The systems are not being callous, requiring a death already registered and then overruled. Strangely, nothing has yet registered. The addressee was never the one who died. It was the profile, the behavioral outer form, assembled from years of signaling, and the profile is now in perfect health again.

The living are now addressed in the same form; death simply makes the separation of the thing and time easier to observe. A feed never overlaps perfectly with a whole life lived; it meets the signal, then rewards whatever performance it can classify. Users learn the lesson without needing to understand it. Some versions travel, others stall or disappear. Over time, this creates pressure toward a self that can revise itself at the system’s speed.

That training takes place inside an infrastructure (platforms, models, attention routes, finance, law), and the means of reproduction is owned. No one has to command the trajectory. Platforms set out to maximize engagement and predict conduct, which requires many users who can be addressed at scale. Because some forms of subjectivity are easier to measure and route than others, optimization selects for them effortlessly, almost as a side effect.

I wish I could write an objective review of this movie, but the first third to half of it was a straight-out portrayal of a continental Western European working class subculture (teknival/French hardtek) that myself and many others grew up intimately familiar with, on a visceral, physical level: the complete illegality of it, the walls… Read More »

“In SEAWORLD VENICE, the promise of progress unfolds as a ‘Frankensteinesque’ dystopia: robot dogs wade through the rising water behind glass, acting as mechanical Cerberuses guarding a central sacrificial altar. Here, a performer lives within a tank sustained by body fluids contributed by the audience.”  -Austrian Pavilion, Nora-Swantje Almes’s curatorship   After the online introduction… Read More »

You must love our country. […] as we approach this magnificent anniversary, we see our American identity under a renewed attack, a generation after we fought and won the Cold War against the menace of communism. There is now a resurgence of the communist menace in our land, including from newcomers to our country […]… Read More »

Before I went to Venice I thought I’d try a travel diary, but that’s not how I like to write and it’s what everyone does, i.e. deferring the responsibility of coming to any conclusion about the Biennale as a whole by giving a first-person account of how utterly chaotic preview week was. I wasn’t at… Read More »

There is this letter Althusser wrote in 1962, to a woman he was seeing, where he just trashes Lenin. He is rereading Lenin on philosophy and he is basically going: god, this is weak. Amazing guy when it came to reading an actual situation, reading what was in front of him, but the second he… Read More »

Nuqtavism was a heretical, atomist cosmology that emerged from within Islamic mysticism while simultaneously pushing it toward its limits. The endgame of Islamic esotericism was always the horrifying announcement that the mystic, through infinite cycles of ascetic self-creation and self-annihilation, had finally reached the highest point of abstraction, or tajarrud: the final release from materiality.… Read More »

Introduction The last thing most progressives think we need is another male writer complaining about “wokeism.” Why not talk about more important things? Wokeism has become somewhat of a floating signifier. Wokeism can mean different things to different people, with many people throwing the term around as a pejorative in highly inconsistent ways. However, many… Read More »

1. To Sort I find myself at a furniture factory, in the seaming department, surrounded by the pneumatic humming of sewing machines. All around me, industrious hands are swift in joining odd parcels of hide, textiles and other soft surfaces according to flat templates. Although the individual steps they carry out are familiar to me,… Read More »

In the spirit of dialogue, I am responding to the observations in Conrad Hamilton’s recent expansive review of my book The Political Theory of Liberal Socialism. I will be concentrating on Hamilton’s three main claims, that there is a gap between the form and content of socvialism, invoking Marxist theories of struggle before coming down… Read More »

ARTISTS: Basel Abbas & Ruanne Abou-Rahme, Kelly Akashi, Kamrooz Aram, Ash Arder, Teresa Baker, Sula Bermudez-Silverman, Zach Blas, Enzo Camacho & Ami Lien, Leo Castañeda, CFGNY, Nanibah Chacon, Maia Chao, Joshua Citarella, Mo Costello, Taína H. Cruz, Carmen de Monteflores, Ali Eyal, Andrea Fraser, Mariah Garnett, Ignacio Gatica, Jonathan González, Emilie Louise Gossiaux, Kainoa Gruspe,… Read More »

This essay argues that natural language semantics admits no global orientation—no ‘view from nowhere’—but only local positions within psychoanalytically and sociologically embedded discourse communities. Drawing on Derrida’s concept of différance, I demonstrate that meaning is constitutively deferred across the differential play of signs, precluding any meta-linguistic standpoint from which all local meanings could be adjudicated.… Read More »

Matthew McManus’ The Political Theory of Liberal Socialism is a powerful attempt to merge two disparate traditions, parlaying reformist compromise into a coherent political program. It also rests on the assumption that socialism is inherently illiberal, an assumption that deserves to be questioned. While often hailed as the single-minded son of America, perhaps the best… Read More »

[This text was previously published by the author in Portuguese on Contemporânea Magazine — Ed.] I don’t want to work with fashion. Beauty must be preserved from capitalism. Fashion favours the escape into personal, private, selected, chosen space, as a form of false self-determination. Fashion reflects the fear of losing’ identity. — Thomas Hirschhorn The purposelessness… Read More »

With recent articles in &&& concerning the status of what is or is not Marxism, I took it upon myself to write a piece that I consider firmly placed in that tradition. I am not being paid by the CIA, I promise. Furthermore, despite appearances, my article is not an article in the “ethics of… Read More »

During the Art Basel Qatar’s VIP preview of Sweat Variant’s durational performance My Tongue is a Blade on February 4, two special seats up in front of the stage stayed empty for a while.  Empty with intent.  People hovered, looked, and reconsidered occupying them in their head at the last minute like they were about… Read More »

SIGN THE STATEMENT HERE The past several weeks have borne witness to a bloodbath in Iran amidst images of systematic massacre and horrific abuses of power by the Iranian government against its own people. As a united front, we stand together to uphold the following convictions: 1- That the Islamic Republic of Iran must come… Read More »

Since its founding, the Islamic Republic of Iran has cultivated legitimacy by embedding itself within global progressive movements—particularly those oriented around anti-imperialism and racial justice. Rhetoric, repeated, obscures reality: the Islamic Republic of Iran (IRI) is an imperialist project that will not enable a free Palestine. The IRI is built on an expansionist doctrine resembling… Read More »

1. Middle Eastern Islamisms and Islamists are reorganizing in a post-jihadi/takfiri Muslim/Arab world within their national boundaries. First of all, the Taliban’s path back to Afghanistan was facilitated by the USA. Afghan Islamists were swift in adopting a more Afghanistan-focused vision and dismantling any public state capacity, especially in social and women’s affairs, built under… Read More »

By Asal Mansouri and Borna Dehghani, writing from Tehran How can survival turn into something shameful? How does breathing itself become a burden – one that a person no longer dares to carry, a weight that grows heavier by the moment, with no path of escape left open? What took place across Iran in January… Read More »

If my first The Human Centipede: A View From the Art World (2013) traced the art world as a closed alimentary circuit, this sequel begins where that circuit was sublimated into brokerage as a state-form with unmistakable political aspirations.[1] The same logic is now in the open for everyone to witness, wearing the grimace of… Read More »

ENGLISH VERSION در لحظه‌ای که این سطور نوشته می‌شود، ایران با زخمی باز زنده است. جامعهٔ ایران یکی از تاریک‌ترین مقاطع تاریخ معاصر خود را از سر می‌گذراند. ده‌ها هزار نفر در خیابان‌ها کشتار شده‌اند؛ معترضانِ زخمی توسط نیروهای امنیتی از بیمارستان‌ها ربوده می‌شوند؛ و اعدام‌ها در زندان‌ها به شکلی صنعتی ادامه دارد. خانواده‌ها آیین‌های… Read More »

FARSI VERSION As I write this, Iran is an open wound. Iranians are living through one of the darkest moments of their country’s contemporary history. Thousands upon thousands upon thousands have been massacred in the streets; wounded protesters are being removed from hospitals by security forces, and executions are taking place on an industrial scale… Read More »

با چیزی آغاز می‌کنم که در نگاه اول شبیه یک حاشیه‌روی است، یک خاطرهٔ قدیمیِ تلویزیونی که زمانی لبخند روی صورتِ ما می‌آورد. اما همین خاطره، مدلِ فشرده‌ای از یک واکنشِ سیاسی است که مدام در ایران تکرار می‌شود. وقتی جوان‌تر بودم، سریالی بود به نام «روزی روزگاری». یک پدیده شد و واقعاً هم عالی… Read More »

The most recent state crackdown on Iranian protesters stands among the most violent suppressions of public dissent in Iran’s modern history. Protesters have been killed, blinded, and mass-arrested. As the state imposed a sweeping information blackout and advanced claims blaming foreign agents for the violence, this brutality has nonetheless been met with a striking absence… Read More »