TripleAmpersand Journal (&&&)

I am not sure exactly what “woke” is supposed to mean, but from what I have observed in not-so-academic debates that flirt with theory, it is an individualistic liberal appropriation of the so-called “constructivist” argument. In other words, the value system of “woke” derives from critical theory and the “constructivist,” or rather poststructuralist, social argument.… Read More »

Este artículo fue investigado y desarrollado para el ciclo de conferencias #SinFiltros y presentado por el autor en la Universidad Zeppelin el 4 de marzo. El ciclo también contó con conferencias de Armen Avanessian, Cécile Malaspina y Hito Steyrl, entre otros. El ciclo de conferencias explora cómo la mentalidad #sinfiltros, que enfatiza la inmediatez y… Read More »

Originally published in Media Theory Vol. 8 No. 2 (2024), Korinna Patelis’s essay, “Have I Got News for You: The Road to Neo-feudalism,” offers a highly original critique of contemporary leftist propositions about the death of capitalism and the ushering of what they term ‘”techno-feudalism.” Situating her analysis within Greece’s political landscape and Syriza’s rise,… Read More »

This paper was researched and developed for the ‘#NoFilter Lecture Series’ and delivered by the author at the Zeppelin University on March 4. The series also featured lectures by Armen Avanessian, Cécile Malaspina & Hito Steyrl among others. The series of lectures explores how the #nofilter mindset, emphasizing unfiltered immediacy and authenticity, permeates various spheres… Read More »

Abdullah Öcalan, the founding leader of the Kurdistan Workers’ Party (PKK), has been a key figure in the Kurdish struggle for autonomy in Turkey. Captured in 1999, he has been imprisoned, gradually shifting his focus from armed resistance to advocating for “democratic confederalism”—a model promoting grassroots democracy, gender equality, and coexistence. His writings continue to… Read More »

Editor’s Note: This text was previously published by the author on https://timeseunuch.substack.com/. 1. ‘Thank you for reading my wikipedia bio.’ The other night I took some friends and students to a panel with the worker’s hero Chris Smalls. He spent ages 25 to 30 at Bezos’ warehouses, then unionized them from scratch, autonomous from the… Read More »

Editor’s Note: This text was previously published on December 13th 2024 @ Manhattan Art Review.  It’s funny, if not surprising, that whenever I’ve had a twinge of anxiety about missing out on shows lately, I check SeeSaw and find I’m not missing anything at all. Downtown is a particular pile of shit, where there’s somehow… Read More »

Abstract This short paper examines Yahya ibn Habash Suhrawardi’s concept of “Crimson Intelligence”, a philosophical framework that explores the connection between collective historical reason and cosmic intelligence within Persian metaphysical imagery. At the center of this study is Seemorgh—a symbolic figure representing a cosmic, unified intelligence manifesting as a composite of diverse yet interconnected beings.… Read More »

The goal of this brief text is to introduce the theoretical concept of a procedural essay, which would encompass a subset of popular culture artifacts (video games, predominantly) as well as contemporary artworks, ranging from 90s net-art to post-internet art and further on. Crucially, theory here is fueled with — and intertwined with — my… Read More »

In my previous two texts for &&&, “The Narcissist-Image” and “Interpretation Contra Structural Reading”, I talked about two distinct modes of reading art and the problems they respond to. These two modes are that of structural reading and interpretation. An interpretative reading of a work of art encodes the work of art in the language… Read More »

Isn’t community outside intelligibility?–Maurice Blanchot In a recent seminar, Jason Mohaghegh posed a question that even many avant-garde movements were too cautious to ask: “What would thought look like without any formulation of reality?” I would like to briefly explore this question in another form: What would community look like without any formulation of reality?… Read More »

Against Normative Morality  If amoralists are gathered in the history of philosophy, the initial catalog features two figures: Stirner and Nietzsche. The former appeared first, which has led to speculative claims of plagiarism by the latter. However, it is more appropriate to place Stirner among the individualists and hedonists, both before and during his time,… Read More »

“The maturity of the late works of significant artists does not resemble the kind one finds in fruit. They are, for the most part, not round, but furrowed, even ravaged. Devoid of sweetness, bitter and spiny, they do not surrender themselves to mere delectation.” – Theodor Adorno, “Late Style in Beethoven” The effects of senescence… Read More »

In this text, Eduarda Neves elaborates and expands on the critique of the contemporary artworld that underpins her book Minor Bestiary: Time and Labyrinth in Contemporary Art, published in English by &&& Books, available for purchase through here.    Minor Bestiary, my latest book, contributes to the debate about a few issues in contemporary art:… Read More »

Paulin Hountondji, the Beninese author who died in February and taught philosophy at the National University of Benin, was clearly aware of the magnitude and impact of politician Kwame Nkrumah, since, as he recalls in his autobiography The Struggle for Meaning, his presentation in Paris on the Ghanaian leader’s 1964 book Consciencism caused headlines for… Read More »

Last year—two years ago?—Cássia Siqueira tweeted: “Better Call Saul S06E07.” I was mystified, but didn’t ask her what it was about. I’d never watched the TV show. But anything Cássia wrote, wherever she wrote it, however cryptic, deserved investigation. So I watched the whole show, knowing I was looking for the meaning of her tweet.… Read More »

In memory of Cassia Siqueira, a brilliant young researcher whose promising career was tragically abbreviated… Her work, featured in the 2023 volume Model Is the Message published by &&&, showcased her exceptional talent and innovative approach to research. Her dedication, intellectual curiosity, and vibrant spirit left an indelible mark on colleagues and the scientific community.… Read More »

This piece, initiated and commissioned by Marten Spangberg, is part of a larger project called “When The Museum is Closed” at the Musée d’Art et d’Histoire in Geneva.   All ideas are bad ideas. They are bad not insofar as they are impractical, useless, or lacking in any such respect. They are bad in that… Read More »

[Due to space constraints, the foregoing essay was published in two instalments. Part I can be found here.—Ed.] 2. A Desperate Marxist’s Attempt We need but a moment of reflection to realize that the problematic of real abstraction in Marxism is the tortuous issue of the transposition of the language of normativity onto that of… Read More »

In time for the opening of Art Basel on June 13 and the release of Eduarda Neves’s Minor Bestiary next month as a more recent critique of contemporary art, we are publishing Reza Negarestani’s “The Human Centipede: A View From The Artworld.” Only delivered once in lecture format at e-flux, New York, in November 2013,… Read More »

Found in the Hyperstition archives, “Other Endings” is the never-published preface to Reza Negarestani’s Cyclonopedia by Nick land, the controversial former Instructor of philosophy at The New Centre which in light of the author’s recent public declaration of his faith in Allah and Islam becomes more than just a premonition but an essential part of… Read More »

Determinant meaning within the English language exists by virtue of the glue that is conjunctions. Sticky little words like “but” and “also” join together, compartmentalize, and disjoint our speech, thoughts, social structure, and reality, in the mathematics of meaning. Even the American legal system depends upon conjunctions like “either/or” and the contrasts they create. Both… Read More »

Dear Lee, I texted you earlier today about how Ava went missing during the fires. I’m going up the coast to look for her in a yacht I’ve stolen that belongs to friends of my parents who are away in the Austrian Alps until Christmas. Did you know that the term “yacht” comes from the… Read More »

This article is an extension of “The Narcissist-Image,” departing from Fares Chalabi’s presentation in “Deleuzian Aesthetics.”  Much of Chalabi’s Deleuzian Aesthetics is based on a critique of interpretation, which for Chalabi, is a procedure for reading art where “this means that, and that means this,” that something like the color black points to a feeling… Read More »

A ghost haunts the end: the ghost of the future. Mark Fisher writes in What is Hauntology? that “the future is always experienced as a haunting: as a virtuality that already impinges on the present, conditioning expectations and motivating cultural production.” But the future is no longer what it was. The future is not future… Read More »

Due to spatial constraints, the foregoing essay will be published in two installments.—Ed. Introduction For picturings to picture the pictureds; at the very least, for descriptions to index the world, the framework of picturing or the descriptive language of the sciences have to be committed to a worldly ontological complexity, causal uniformity, or an immutable “dimension of givenness… Read More »

Italy, too, experienced the events of 1968—a year marked by protests against the establishment and its institutions. Against this background, the student movement attacked the Biennale aiming to bring down a pillar of the Italian art establishment which, in their eyes, combined art and money in an unholy alliance. The malaise surrounding the Venice exhibition… Read More »

1 Imagine describing the series of Jeff Perrott’s paintings New Construction (Pharmakon, Subject, Natural, Denatural, Door, Sublime, Red Interior, and Cosmic) to an AI or a blind person. How would you start? By listing which elements come first, and how the layers of lines in each painting are ordered? Describing an artwork is deconstructing or… Read More »

1. The Hamas-Israel War The 2023 war between Hamas and Israel elicits many different explanations. As with previous regional hostilities, here too, the pundits and commentators have numerous overlapping processes to draw on—from the struggle between the Zionist and Palestinian national movements, to the deep hostility between the Rabbinate and Islamic churches, to the many… Read More »

In the past two decades, more than in the past hundred years, authoritarian regimes have risen to power globally. Today, fascist parties are occupying seats in many countries’ governments, such as in the Israeli Knesset, the Dutch Tweede Kamer, the American Congress, and the German Bundestag. Meanwhile, the collective memory of European fascism and its… Read More »

“In the preceding chapter we discussed the development of technoeconomic organization and the establishment of social machinery closely connected with the evolution of techniques. Here I propose to consider the evolution of a fact that emerged together with Homo sapiens in the development of anthropoids: the capacity to express thought in material symbols. (…) As… Read More »

What is tragic about choice is no longer fundamental if choice is no longer what establishes communication between an independent city and an independent individual as substances. —Gilbert Simondon1   Excess and disruption are different modes of systemic interferences, providing differing sets of axiological implications. This essay seeks to explore their tragic interface in the… Read More »

Introduction  EcoMuvi is a film production protocol set in place by Tempesta Films studios in 2014. Its approach implies a consciousness of the environmental  impact of film production and seeks to mitigate the overall harm done to the Earth. The protocol has a list of requirements which must be met in order for a film to… Read More »

The Middle East continues to painfully be a primary site for the blood-drenched transformations of our planetary geopolitical system. However, about ten years ago and during another Israeli operation in Gaza, an uncanny timeliness opened an unexpected connection between global contemporary art and geopolitics in August 2014 when, following the escalation of Israel’s Gaza operations,… Read More »

[Due to space constraints, the foregoing essay was be published in three instalments. Parts I and II can be found here and here.—Ed.] Struggle between Symbol Equality and Logocentrism  The way out of the irrationality of imagery—understood as a united symbolic system—lies precisely opposite to physical objects, in reason. None of the philosophers mentioned earlier… Read More »

The seminal essay below by Hannah Arendt, spanning 15,000 words was first published in the Menorah Journal in October 1944. This work was inspired by the meeting of the World Zionist Organization’s American section in Atlantic City. This congress was notable for its assertive call for a Jewish state covering the entire territory of Palestine,… Read More »

[Due to space constraints, the foregoing essay will be published in three instalments. Part I can be read here.—Ed.] From Object to Image through Displacement In art history there is an implicit belief that human intuition is limited by external physiological mechanisms. The encounter with an object may thus be seen as a traumatizing event.… Read More »

[Due to space constraints, the foregoing essay will be published in three instalments.—Ed.] Introduction The author of this text is confident that none of these reflections are timely during the war, and harbors doubts about their subsequent significance. It is difficult to escape a common remark about the impossibility of poetry after Bucha—with all kinds… Read More »

Memories of A Place I Have Never Been… Part II is the title of the most recent solo exhibition by Berlin-based artist Bastian Gehbauer. The exhibit was open for viewing from August 25th until October 7th, 2023 at Hoto Gallery—a repurposed former cinema situated in Bergmannkiez. The exhibited series represents an extension of the initial… Read More »

Synopsis Reza Negarestani’s “Intelligence and Spirit”1 stands as an intersectional exploration of philosophy, mathematics, logic, and computer science. The work is an intricate tapestry weaving together threads from various disciplines in order to present a comprehensive understanding of intelligence, in both its human and artificial manifestations. Negarestani draws from category theory—a branch of mathematics that… Read More »

Before the establishment of the American Museum of Natural History (AMNH), displays at museums of nature, science and culture involved their preparation and arrangement in glass boxes by those who had never seen the subjects in their actual habitat and who had little interest in acquiring related ecological or cultural information. From its beginning, however,… Read More »

01 Let me present a compelling perspective: Games and art exist as distinct entities on an ontological level, fulfilling different needs. Art, in its purest form, flourishes without requiring interactivity, while games engage players through their inherent interactive nature. However, this does not imply a complete dichotomy. A space for compromise exists, and I call… Read More »

Is this a rehearsal for dying? –Vilém Flusser, “The Bed”[1] Flowers in a vase, on the dinner table, are examples of absurd life. If we wish to intuit these flowers, we can feel their tendency to sprout roots, and to push them into any soil. The rootless flowers’ tendency is the climate of groundlessness. –Vilém… Read More »

*Originally delivered as a response to Gertrude Stein’s “The Making of Americans” on Day 27 of Superconversations, a collaboration between e-flux and The New Centre for Research & Practice in 2015. The most recent wartime Christmas in New York was as cold and bright as any other holiday season had ever been in the city. As usual, a… Read More »

The worst thing about the two dominant and intellectually popular conceptions of the future – either as pure capitalist utopia where private property and technology deliver us from politics or pure communist utopia in which the fall of capitalism and the emergence of communism is inevitable – is that they have engendered lethargy in regards… Read More »

In the Introduction to his Black Skin, White Masks (BSWM), Frantz Fanon makes the claim that ‘a Black is not a man’.[1] To understand what Fanon means by the claim that the Black is not a man, a claim that he admits is ‘at risk of angering [his] black brothers’, we must explore the construction… Read More »

Theory-fiction is a genre of thought in the process of making and becoming. And, as any genre of that kind on such a stage, what it needs for thriving is methodology: not from the side of ‘theory’ — for there are a lot of possible ways of theoretical inquiry present at hand today (which is,… Read More »

Things had been getting strange at the firm, since the boss had come back from holidays. The black cape and the pile of Crowley books strewn about the office were the first clue. What was Hardeep, the Singaporean tech bro CEO, doing with all this, mused Pierre, a level 7 sales executive, en route to… Read More »

Émile Durkheim (1858-1917), one of the founders of sociology as a science, undertook a great effort for this area of knowledge to overcome its so-called ideological burdens. For him, “it is necessary to free oneself from the false evidence that dominates the common spirit” (Durkheim, 2004: 64). Sociology should become a science of empirical strength,… Read More »

There have been rumors about the disappearance of desire from cinema and even museums or art spaces in general, leaving us with a sheer mirror of what reality is, or feeding us with constant information about the world being an unsavory place: climate catastrophes, migrant crisis, Taliban in Afghanistan, the rise of nationalism throughout the… Read More »

Filipe Felizardo is a philosophy student, artist and musician from Lisbon, with an informal education in film, comics, and musical pedagogy. Currently a Researcher on Critical Philosophy at the New Centre for Research & Practice, Felizardo focuses on systematic reconceptions of learning and alienation, as understood from the workspaces of inferentialism, Marxist activity-approach, and anti-vitalism.

§0 “Lo que el hombre no sabe, o no ha pensado, vaga en la noche por el laberinto de la mente”. [“What man does not know, or has not thought of, wanders in the night through the labyrinth of the mind.”] —Johann Wolfgang von Goethe §1 The kids who played with fire: Pyromania, play and… Read More »

“Condensed in a formula, the Technological Civilization can be characterized as the transition from ratio to generativity, from matter to process, from nature to the hybrid.” –Davor Löffler If we follow the self-avowed German Accelerationism and deep futurology of Davor Löffler (Löffler 2021), we can posit that everything is co-evolutionary and that there are no… Read More »

A speculative atlas: to dilate the geography of the imagination with our hands, like clay. That which now sits on nowhere and nowhen. Which simply lies there. We must recover it. It will soon become a sort of labor, this hyperlucid craft. An engineering of worlds in chimerical diagrams of nylon allure. The task is… Read More »

In his course Deleuzian Aesthetics Fares Chalabi presents an extended typology of mutually exclusive, rigorously defined image-types, or what I like to call aesthetic structures or aesthetic logics. An image-type or aesthetic logic is a form that structures the entirety of a work of art – take, for example, the ‘series’. The logic of series,… Read More »

Five hundred million individuals tried to monetize their social media last year, according to a recent Linktree survey. As a lucky member of this esteemed group, I recently found myself surfing through the entrepreneurial side of TikTok, captivated by a video titled “How to make money with Chat GPT”. The clip tells you to go… Read More »

In this video essay, Brent Cox works through the poetry of Barbadian poet Kamau Brathwaite and his Sycorax Video Style, which he developed in the early 1980s using a Mac SE/30 and which offers myriad compelling extra-linguistic or extra-conceptual ideas in relation to citationality, literary convention, the constative/performative distinction, the temporality of neologisms, and the… Read More »

Walter Benjamin’s seminal 1935 essay “The Work of Art in the Age of Mechanical Reproduction” wrestled with the effects of powerful technologies upon culture, and presaged much subsequent writing, e.g. Martin Heidegger and Italo Calvino. Here I want to consider not the artwork-qua-object as in Benjamin, but rather the work of art as an active force, in… Read More »

1. Although still a young writer and researcher, it is probably not an exaggeration to say that Yuk Hui is already one of the most influential contemporary thinkers of technology working today. This position is certainly warranted by the strength and scope of his work, the expansive drive and breadth of which is inspiring, especially… Read More »

I: Symptoms With the omnipresence of the term “symptom” these days, it seems that a plausible escape from the deep horror of this pandemic would be to conduct a symptomatic reading of it. Attributed to Louis Althusser, this method of reading literary and historical texts focuses not on what a text evidently expresses, but on… Read More »

*Originally published by BBC Persian, to read the original, please click here.  Following the protests that are taking place in Iran after the killing of Mahsa Amini by the forces of the Islamic Republic of Iran, the attention of the people and the media has been drawn to the role, and strong presence of the… Read More »

Note: This piece was co-produced as a dialogue in the manner of a feedback between the authors. They reacted to each other’s thoughts on Law about Space while having as a single rule that each would use a different language as a tool of communication. Zé would use written text, whereas Artemis would use visual expressions. When… Read More »

Modernity and technics “If you think about the Silk Road in the past, there’s this idea of eastern and western people meeting on some kind of big road and maybe selling and buying things. I think this history repeats itself, and some kind of new and interesting phenomenon is happening.” —Kim Namjoon, member of the group… Read More »

Editor’s Note: This piece, written by several authors, oscillates between plural and singular voices, with the intended effect of collaging three perspectives together in a unified décollage. “I’ll never forget the time I went to Dimes Cafe at 4 am for an after party in 2015. Max Brand was there, and I was trying to… Read More »

For the past few years, I’ve been engaged with writing a footnote to an essay with an attempted theoretical explication of what is meant by the word “art”. For a much longer time, I’ve pursued a very abstract but also very specific direction in my own art practice – like any other artist. One little… Read More »

“Oil is the undercurrent of all narrations, not only the political but also that of the ethics of life on earth. This undercurrent material, petroleum narrates the dynamics of planetary events from macroscopic scales such as hot and cold wars, migrations, religious and political uprisings, to micro or even nanoscopic scales such as the chemical… Read More »

We become what we behold. We shape our tools and, thereafter, our tools shape us. — John Culkin (1967) “A Schoolman’s Guide to Marshall McLuhan” (The Saturday Review) Human creativity is often driven by lateral thinking, which according to Margaret Boden has a weakness. She posits that AI can introduce better “standards of rigor, […]… Read More »

  His favourites received contracts under conditions whereby they, cleverer than the alchemists, made gold out of nothing. – Karl Marx, Capital Vol.1   Introduction The spread of distributed ledger technologies in the Information and Technology sector has been the cause for much speculation and hype. The modern blockchain is rooted in the work of… Read More »

The deployment of 3D modeling and 3D printing techniques in historical heritage is nothing new. 3D modeling has been used in creating digital environments since the mid-1990s. These models were created mainly to situate its users among the reconstructed ruins of historical landscapes, especially from antiquity and the Middle Ages, such as Ancient Rome, Egypt,… Read More »

My aim here is to venture a scholarly definition of the Continental Vibe, but allow me to arrive there via an anecdote, or an impression, really – one of my earliest memories of viewing the world as a cast of signs and symbols. A somersault of senses: visual, auditory, tactile, olfactory. A sum of building blocks and a bevy… Read More »

  INTRODUCTION The following analyses are hypothetical entries into Karen Pinkus’ Fuel: A Speculative Dictionary, a dictionary which itself ought to be read as a work in perpetual progress.[1] Drawing upon Pinkus’ work—cross-referencing, if you will—I want to introduce two entries (themselves, necessarily works in perpetual progress) into Pinkus’ registry; one site-specific, one ‘generic’: “Carrie Furnace”… Read More »

      – Ana Paula Silva & Digital Symbiotic Interface & Matheus Ferreira[1]    I: Hello, there, I’m the selected object-interface for this co-authored conversation-essay. You may call me cyborg, or the interface of internet conversation, or whatever. I am the standard medium and interface, as that which is between the faces of the other authors… Read More »

From Venice to Berlin, Kassel, and… Davos There’s little that the art world has missed during the pandemic more than airport lounges. I was no exception and, despite having made a series of gloomy predictions about art’s return in a diminished yet more self-satisfied form, I was eager to chase my hits of aviation fuel… Read More »

I proceed from an actual fact. For all the scenarios of existential risk from Artificial Intelligence/Superintelligence, there’s always been the same thing. There’s always been this aspect, put tacitly or implicitly, either merely enlisted, or considered to be decisive. And what is it? It is the presupposed teleology. Varying in movements and outcomes, all AI-concerned… Read More »

This conversation on Second-order design fiction is part of an ongoing collective research project by Fry and Perera on Technology, Cosmotechnics, Design and Resistance. In their conversation Fry and Perera explore the concept of second-order design fiction (SoDF) as an emergent means of addressing how design is understood and practiced in the context of the… Read More »

Documenta 15, heterogeneous, accessible, resplendent in-process and incomplete, present-here-and-now, and affirmative, is soft-imperialist, globalist art at its apex. New Edge — it’s gentle, loving, soothing, and light, art for the righteous decline of the Western enlightenment project and paean for the rise of the Global South, salvaging what it finds useful from Western ruins, vainglory,… Read More »

Intro from Zeit Newspaper, Germany Does the upcoming Documenta exhibition in Kassel promote anti-Semitic tendencies in art? Are some female artists too close to the BDS movement? Should the curators have paid more attention to the fact that Israeli-Jewish artists are also present – ??and not just those who are themselves opposed to the country’s… Read More »

  “Some see the glass as empty, I see a glass full of ether.” — J. Cole We are entangled in a love-hate relationship with Immanuel Kant. Throughout the last two centuries, those who have an affinity for the philosophical task have directly or indirectly been involved with his postulations, mainly those pertaining to his… Read More »

Herman Melville wrote a story about a curious fellow, a scrivener: a clerk for his employer upon Wall Street, a “conveyancer and title hunter, and drawer-up of recondite documents”.[1] Bartleby’s disinclination to do any work was, repeatedly and almost without variation, couched in a phrase of maddening brevity and disturbing ambiguity. The man wasn’t quite… Read More »

For this brief essay, I suggest running a simple thought experiment. As suggested in the header, it will concern one avant-garde composer, about whom one biographical fact will be substituted. In the first part of the essay, I’ll explain my interest in Cage’s practice and its reception — after that, the experiment itself takes place. Hopefully, by… Read More »

It’s well known that when people venture into the far reaches of consciousness, they do so at the peril of their sanity, that is, of their humanity. But the “human scale” or humanistic standard proper to ordinary life and conduct seems misplaced when applied to art. It oversimplifies. If within the last century art conceived… Read More »

Preface Through my Prolegomenon, I am attempting to create a «transcendental method» which is arrived at from self-evident axiomatic truths (‹truth› with lowercase t) of mathematics and de-ontologized without a necessary background ontology (for examples of «background ontologies» see how the realm of the virtual supports the realm of actuality in Gilles Deleuze, or how… Read More »

You can read the full comic in higher quality here.

I like DeLanda’s abstract machines (1) – more precise, more concrete than metaphors, but still loose and capable of creativity. But what’s the point of writing anyway? Who reads the words and thinks the thoughts instead of simply filling something else in the vacuum – you look and see but do not see, still and that… Read More »

1. To outdraw the introduction… (1) ‘The kill-chain can be thought of as a dispersed and distributed apparatus, a congeries of actors, objects, practices, discourses and affects, that entrains the people who are made part of it and constitutes them as particular kinds of subjects(2).’ … one has to think about where the fired shots… Read More »

  In common sense, history is considered as a series of events that follow one another in a one-dimensional, irreversible, and forward-looking direction. This is the familiar understanding that considers history as chronological. In this case, which requires imagining a timeline, past events are separated from future events by the present moment. Each of the… Read More »

Consider an information sponge so vast it amasses a billion suns—absorbing all surrounding structure and pattern, its interior would converge on a maximal entropy state. Matter succumbing to its gravitational spell would find itself drawn into a gaseous vortex, a chaotic collapse of form and order, approaching a singularity in which spacetime itself is infinitely compressed. An accretion disk would form a nebulous halo around this dark region, marking it out as an indiscriminate attractor of light, its sheer density trapping matter in a photonic cell of its own making. Such galactic nuclei, namely black holes, serve as the principal discursive site of information theory in physics, setting the stage for contested claims regarding the nature of encoding.

In ”On Reading and Writing”, a chapter in his seminal work, Thus Spoke Zarathustra, Nietzsche speaks through his prophet Zarathustra, who declares: “Of all that is written I love only that which one writes with his blood. Write with blood, and you will experience that blood is spirit. It is not easily possible to understand the… Read More »

Let’s take a walk in the park. I began my last series of work with this phrase as my guide. Appropriating the name from a set of choreography a collaborator and friend of mine, Nikima Jagudajev, uses in multiple dance-based works, and has taught me. It involves choreographed, pedestrian-like movements that are meant to be… Read More »

Vancouver Russian Community Centre vandalized with blue and yellow paint. It shouldn’t have to be said that millions of Russians are against this war. It shouldn’t have to be said that you can stand with the people of Russia and the people of Ukraine at the same time. Alas, this is the problem with liberalism:… Read More »

In one of his well known essays, Art After Philosophy, (1) Joseph Kosuth presents several propositions regarding the function of art, arguing that it only has obligations to itself. He declares that, after Duchamp, the value of certain artists should “be weighed according to how much they questioned the nature of art; which is another way… Read More »

Recently I have been thinking about what would happen if all the sociology departments in the world would suddenly burn down. Would anyone besides the staff really miss them? Do they really provide any value to society and by extension, to people? While having these ponderings, I discovered a group of scholars in management studies,… Read More »

The purpose of this contribution is not to provide a philologically accurate reading of Nietzsche’s writings. That is notoriously a daunting task. What we are going to discuss here is a particular reading of Nietzsche, which inevitably carries its own peculiar type of misinterpretation, a reading that develops within a specific political and philosophical context,… Read More »

Having emerged from the relative obscurity of crypto enthusiasts’ niches, thanks to some major corporate push and celebrity endorsement, NFTs (Non-Fungible Tokens) now regularly feature at the forefront of mainstream publications, and they are already moving millions of dollars in cryptocurrency transactions each month. NFTs generated over 23 billion dollars in trading volume over the… Read More »

This is the concept text for the 36th Youth Salon, a biennial manifestation organized by the Croatian Association of Visual Artists (HDLU), that his year will be curated by the KUCCA collective. The Salon will open in April 2022 in Zagreb. The parasite is an infectant. Far from actually transforming a system’s nature, its form, elements, relations, and paths,… Read More »

For Object-Oriented Philosophy, there is no direct access to the outside reality. Instead, this access is indirect, allusive, or vicarious. Since traditional Islamic thought is not strange to OOP, this text uses Rumi’s fable “Elephant in the Dark” to place the use of metaphoric language in a central means of the technology of speculation so crucial for… Read More »

“and the matron mourns, forlorn and forsaken, like Hecuba:” Immanuel Kant, The Critique of Pure Reason 1. INTRODUCTION “Bring something incomprehensible into the world(!)”. The rallying cry of Deleuze & Guattari resounded across the field of poststructuralism and theory, and then faded off into the distance. The field of theoretical practice today, while cognisant of… Read More »

In tandem with the launch of James Webb Space telescope and its journey to Lagrange point 2, we decided to republish this essay by Reza Negarestani from 2012. It was originally published in Savage Objects, ed. Godofredo Pereira (Guimarães: 2012). __ The James Webb Space Telescope (sometimes called JWST) is a large infrared telescope with a 6.5-meter… Read More »

The global political crises of the last decade have renewed a call for the consideration of decolonial strategies as an effective response. As peripheral the place and voice of art in these debates might seem, from the time of the Paris Communes to the present, art has been corresponding to revolutionary and transformational developments around… Read More »

The space of the virtual Thursday May 20th 2019 Categories: Pop, Boxing, Transcript Ladies and Gentlemen a very good evening to you and welcome to the Zenith Hall in Toronto Ontario as we present the featured round of the evening brought to you by Ataraxia starring Bill Murray in Theatres March 15th, Dion5 the official… Read More »